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OverviewFull Product DetailsAuthor: Matthew Brown (, Associate Professor of Music Theory, Eastman School of Music, University of Rochester, New York)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 15.60cm , Height: 1.10cm , Length: 23.70cm Weight: 0.426kg ISBN: 9780198161998ISBN 10: 0198161999 Pages: 194 Publication Date: 02 October 2003 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsEditor's PrefaceMalcolm Gillies: Preface IntroductionMusical Composition and Problem Solving Part 11: Composition History and Musical Sources 2: Intentional Goals and Historical Constraints 3: Musical Problems and Search Strategies Part 24: 'Par les rues e les chemins' 5: 'Les Parfums de la nuit' 6: 'Le Matin d'un jour de fête' ConclusionSketch Studies and Musical Analysis Bibliography IndexReviews<br> Brown's insights into Iberia prove highly illuminating; his book is lucidly written and extremely generous with examples and documentation. It helps to have a score at hand but even the most involved parts of the analysis flow easily, and one need not be either a specialist in Schenker or sketch studies to follow it...in the end the true importance of this book lies in the narrower but brighter light it sheds on Iberia. All those interested in that work and in Debussy's 'new manner' in genereal will consult his findings with profit. --NOTES<br> Brown's insights into Iberia prove highly illuminating; his book is lucidly written and extremely generous with examples and documentation. It helps to have a score at hand but even the most involved parts of the analysis flow easily, and one need not be either a specialist in Schenker or sketch studies to follow it...in the end the true importance of this book lies in the narrower but brighter light it sheds on Iberia. All those interested in that work and in Debussy's 'new manner' in genereal will consult his findings with profit. --NOTES<br> Author InformationBorn in London, Matthew Brown studied at the Royal College of Music Preparatory Division and later at King's College London. He pursued a Ph.D. in musicology at Cornell University. From 1983-1986 he was a junior fellow at Harvard University. Since then, he has taught musicology at the Eastman School of Music and theory at Louisiana State University. He has served on the council of the American Musicological Society and the executive board of the Society for Music Theory. He is currently Associate Professor of Music Theory at the Eastman School of Music. Tab Content 6Author Website:Countries AvailableAll regions |