Overview

Death metal is one of popular music's most extreme variants, and is typically viewed as almost monolithically nihilistic, misogynistic, and reactionary. Michelle Phillipov's Death Metal and Music Criticism: Analysis at the Limits offers an account of listening pleasure on its own terms. Through an analysis of death metal's sonic and lyrical extremity, Phillipov shows how violence and aggression can be configured as sites for pleasure and play in death metal music, with little relation to the ""real"" lives of listeners. In some cases, gruesome lyrical themes and fractured song forms invite listeners to imagine new experiences of the body and of the self. In others, the speed and complexity of the music foster a ""technical"" or distanced appreciation akin to the viewing experiences of graphic horror film fans. These aspects of death metal listening are often neglected by scholarly accounts concerned with evaluating music as either 'progressive' or ""reactionary."" By contextualizing the discussion of death metal via substantial overviews of popular music studies as a field, Phillipov's Death Metal and Music Criticism highlights how the premium placed on political engagement in popular music studies not only circumscribes our understanding of the complexity and specificity of death metal, but of other musical styles as well. Exploring death metal at the limits of conventional music criticism helps not only to develop a more nuanced account of death metal listening—it also offers some important starting points for rethinking popular music scholarship as a whole.

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Reviews

Death metal is a tricky genre to analyse, particularly given its often shocking lyrics and the refusal of many death metal fans and musicians to engage with the complex questions it raises. Michelle Phillipov challenges the reader to 'think with the conventions of the genre' rather than judge it according to external political values. In thinking with death metal, she demonstrates a critical dexterity that illuminates how death metal works better than any previous study does. The book makes a convincing argument that death metal's apparently troubling evasion of politics is in fact a key to understanding a form of musical pleasure based on a lack of identification with vocals and lyrical themes. Death Metal and Music Criticism not only makes a major contribution to the study of death and heavy metal, it also deserves to be read by anyone searching for a form of popular music criticism that is responsive to the particular pleasures that particular genres offer. -- Keith Kahn-Harris, The Open University Death Metal and Music Criticism fills an important gap in the literature on death metal. Phillipov provides a serious scholarly approach to a subject usually treated in a sensationalistic manner. -- Deena Weinstein, DePaul University

Death metal is a tricky genre to analyse, particularly given its often shocking lyrics and the refusal of many death metal fans and musicians to engage with the complex questions it raises. Michelle Phillipov challenges the reader to 'think with the conventions of the genre' rather than judge it according to external political values. In thinking with death metal, she demonstrates a critical dexterity that illuminates how death metal works better than any previous study does. The book makes a convincing argument that death metal's apparently troubling evasion of politics is in fact a key to understanding a form of musical pleasure based on a lack of identification with vocals and lyrical themes. Death Metal and Music Criticism not only makes a major contribution to the study of death and heavy metal, it also deserves to be read by anyone searching for a form of popular music criticism that is responsive to the particular pleasures that particular genres offer. -- Kahn-Harris, Keith Death Metal and Music Criticism fills an important gap in the literature on death metal. Phillipov provides a serious scholarly approach to a subject usually treated in a sensationalistic manner. -- Weinstein, Deena

Death metal is a tricky genre to analyse, particularly given its often shocking lyrics and the refusal of many death metal fans and musicians to engage with the complex questions it raises. Michelle Phillipov challenges the reader to 'think with the conventions of the genre' rather than judge it according to external political values. In thinking with death metal, she demonstrates a critical dexterity that illuminates how death metal works better than any previous study does. The book makes a convincing argument that death metal's apparently troubling evasion of politics is in fact a key to understanding a form of musical pleasure based on a lack of identification with vocals and lyrical themes. Death Metal and Music Criticism not only makes a major contribution to the study of death and heavy metal, it also deserves to be read by anyone searching for a form of popular music criticism that is responsive to the particular pleasures that particular genres offer. -- Kahn-Harris, Keith

Author Information

Michelle Phillipov is a lecturer in journalism, media, and communications at the University of Tasmania.

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