Death-Drive: Freudian Hauntings in Literature and Art

Author:   Robert Rowland Smith
Publisher:   Edinburgh University Press
ISBN:  

9780748640393


Pages:   256
Publication Date:   30 April 2010
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
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Death-Drive: Freudian Hauntings in Literature and Art


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Full Product Details

Author:   Robert Rowland Smith
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 15.60cm , Height: 2.30cm , Length: 23.40cm
Weight:   0.164kg
ISBN:  

9780748640393


ISBN 10:   0748640398
Pages:   256
Publication Date:   30 April 2010
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Note on the Text; References; List of Illustrations; Acknowledgments; Foreword; Introduction; 1. Memento Mori; 2. The Death Drive Does Not Think; 3. A Subject Is Being Beaten; 4. White Over Red; 5. Literature - Repeat Nothing; 6. A Harmless Suggestion; 7. The Rest of Radioactive Light; Post Script - Approaching Death; Index.

Reviews

This is a rich and fascinating work. Smith provides a lucid, probing and astute overview of the death drive in Freud, but also leads the reader into strange and compelling new terrain, exploring the notion that works of art have 'an unconscious of their own'. This is an important new contribution to a topic that remains controversial in psychoanalysis and culture more generally. -- Nicholas Royle, University of Sussex The death-drive has haunted psychoanalytic theory since its first appearance in Freud's Beyond the Pleasure Principle. Rowland Smith brings new life to this grim hypothesis, tracing the rhetorical adventures of the death-drive through Freud's works and those of his defenders and adversaries. Sinuously argued and vividly expressed, Death-Drive will appeal both to beginners and to seasoned readers of psychoanalysis and literature. Rarely has death been discussed with such vitality -- Maud Ellmann, Donald and Marilyn Keough Professor of Irish Studies, University of Notre Dame This is a rich and fascinating work. Smith provides a lucid, probing and astute overview of the death drive in Freud, but also leads the reader into strange and compelling new terrain, exploring the notion that works of art have 'an unconscious of their own'. This is an important new contribution to a topic that remains controversial in psychoanalysis and culture more generally. The death-drive has haunted psychoanalytic theory since its first appearance in Freud's Beyond the Pleasure Principle. Rowland Smith brings new life to this grim hypothesis, tracing the rhetorical adventures of the death-drive through Freud's works and those of his defenders and adversaries. Sinuously argued and vividly expressed, Death-Drive will appeal both to beginners and to seasoned readers of psychoanalysis and literature. Rarely has death been discussed with such vitality


Author Information

A former Prize Fellow of All Souls College, Robert Rowland Smith has written widely on philosophy, psychoanalysis and literature, including Derrida and Autobiography. He is a founding editor of the award-winning journal, Angelaki and an original member of the Forum for European Philosophy. Now independent, he also writes non-fiction that applies philosophy to everyday life. His latest book is Breakfast with Socrates: The Philosophy of Everyday Life (Profile Books, 2009).

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