Death and Drama in Renaissance England: Shades of Memory

Author:   William Engel (, Independent Scholar)
Publisher:   Oxford University Press
ISBN:  

9780199257621


Pages:   214
Publication Date:   07 November 2002
Format:   Hardback
Availability:   To order   Availability explained
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Death and Drama in Renaissance England: Shades of Memory


Overview

Drawing on a range of works from the English Renaissance, Death and Drama in Renaissance England offers a novel way to understand, in their original contexts, key aspects of Renaissance mental life and letters. Focusing on the classical Memory Arts, William Engel explores issues of death and decline in exemplary dramas, dictionaries, and histories of the period, and demonstrates the ways in which emblems and memory images were used to communicate special meanings.Special attention is given, initially, to select tragedies by Shakespeare and other contemporary playwrights who stages spectacles of silent death. This is followed by a survey of the end to which foreign language phrase-books crafted highly mannered vignettes of daily life, and a discussion of the ways in which metaphors of the stage were translated into a body of work which portrayed the soul of history in terms of an overriding Aesthetic of Decline. The result is a thought-provoking account of the essentially mnemonic principles of design informing and animating a range of works from the English Renaissance.

Full Product Details

Author:   William Engel (, Independent Scholar)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 14.40cm , Height: 1.70cm , Length: 22.40cm
Weight:   0.333kg
ISBN:  

9780199257621


ISBN 10:   0199257620
Pages:   214
Publication Date:   07 November 2002
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

List of illustrations Note on conventions used in the text Preface Introduction: 'Take Away But One Letter': The Spirit of Decline I. Staging kinetic emblems of fatal destiny 1: 'Commonplaces of memory': visual regimes and charmed spaces 2: 'But yet each circumstance I taste not fully': spectacles of ruin II. The true work of translation 3: 'Touching my translation': linguistic decorum and memory's domain III. The marrow and moral of history 4: 'O eloquent, iust, and mighty Death!': ending The History of the World 5: 'More easie to the readers memory': using The History of the World Conclusion: 'Simulars of the dead': a final declension Appendix: The end of Ralegh's History of the World Bibliography Index

Reviews

`Engel is the first post-Yates scholar to offer a compelling account of the importance of the importance of the memory arts in the English Renaissance.' Sixteenth Century Journal `Engel attends with sensitivity and acumen to the complex ways that mnemonic art encodes and enacts its meanings, accomplishing his goal of 'help[ing] scholars of early modern England become better, more mnemonically attuned, interpreters'.' Sixteenth Century Journal


`Engel is the first post-Yates scholar to offer a compelling account of the importance of the importance of the memory arts in the English Renaissance.' Sixteenth Century Journal `Engel attends with sensitivity and acumen to the complex ways that mnemonic art encodes and enacts its meanings, accomplishing his goal of 'help[ing] scholars of early modern England become better, more mnemonically attuned, interpreters'.' Sixteenth Century Journal


...will certainly reinvigorate early modern memory studies, and Engel remains the Renaissance memory arts' most eloquent spokesperson. Sixteenth Century Journal


Author Information

William Engel is an independent scholar and freelance tutor; author of Education & Anarchy (University Press of America, 2001) and Mapping Mortality: The Persistence of Memory and Melancholy in Early Modern England (University of Massachusetts Press, 1995). He has been Assistant Professor of English at Vanderbilt University (1988-95), Research Fellow at the Huntington Library, Newberry Library, Folger Shakespeare Library, and Robert Penn Warren Center for the Humanities; and Visiting Scholar at Harvard University.

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