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Full Product Details

Author:   Caroline van Eck ,  Edward Winters
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.462kg
ISBN:  

9781138356818

ISBN 10:   1138356816
Pages:   320
Publication Date:   28 February 2022
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents: Introduction, Caroline van Eck and Edward Winters; Part I The experience of the visual in Art History, Aesthetics and Visual Culture: Visual culture and the history of art, David Peters Corbett; Space without hiding places: Merleau-Ponty's remarks on linear perspective, Ren van de Vall; Aesthetics and visual culture: looking at Andrew Pankhurst‘s Night Painting, Edward Winters; Ought painting be allowed to die?, Derek Matravers; Part II Elucidating the Visual: Marcus Gheeraerdts Captain Thomas Lee, Lucy Gent; Painting and visuality in Van Dyck‘s Self-portrait with a Sunflower, John Peacock; Sacred contagion: secular jewellery and votive transvaluation at the Santa Casa, Loreto, 1720-1820, Marcia Pointon; Villas and vision: looking at Palladio‘s villas from the road, Lex Hermans; Staged experiences: the church designs of Nicholas Hawksmoor, Sophie Ploeg; The unreliable eye: the decline of vision as a reliable source of knowledge in Dutch architectural theory of the nineteenth century, Petra Brouwer; Mies van der Rohe - drawing in space, Victoria Watson; Shadow, shading and outline in architectural engraving from Fr t to Letarouilly, Nicholas Savage; Bibliography; Index.

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Author Information

Dr. Caroline van Eck, University of Ghent, Belgium and Edward Winters, West Dean College, UK.

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