Dead Men Telling Tales: Napoleonic War Veterans and the Military Memoir Industry, 1808-1914

Author:   Matilda Greig (Research Associate, Research Associate, University of Cardiff, UK)
Publisher:   Oxford University Press
Edition:   1
ISBN:  

9780192896025


Pages:   272
Publication Date:   03 June 2021
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Dead Men Telling Tales: Napoleonic War Veterans and the Military Memoir Industry, 1808-1914


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Overview

Dead Men Telling Tales is an original account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focusing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808-1814), Matilda Greig charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, she challenges assumptions made by historians about the reliability of these soldiers' direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, Greig also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. Her findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern 'soldier's tale'.

Full Product Details

Author:   Matilda Greig (Research Associate, Research Associate, University of Cardiff, UK)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Edition:   1
Dimensions:   Width: 16.50cm , Height: 2.20cm , Length: 24.00cm
Weight:   0.566kg
ISBN:  

9780192896025


ISBN 10:   0192896024
Pages:   272
Publication Date:   03 June 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction Part I: Authors 1: The Language of War 2: Before the Ink Dries 3: Iberian War Writing 4: The Myth of the Accidental Author Part II: Books 5: Scribblomania 6: Editors and Afterlives 7: Circulation and Transnational Memory Conclusion: War for Sale

Reviews

...very good...Highly Recommended. * Gareth Glover, Waterloo Association *


A refreshing and rewarding study ... This book is vital reading * Jennine Hurl-Eamon, War in History * ...very good...Highly Recommended. * Gareth Glover, Waterloo Association * Superbly crafted and most welcome addition to scholarship about the Peninsular War experience and the publishing phenomenon its veteran authors started. * Scott Krawczyk, Biography: An Interdisciplinary Quarterly *


Author Information

Dr Matilda Greig is a Research Associate at Cardiff University, working on the AHRC-funded project 'Strange Meetings: Enemy Encounters 1800-2020', and has previously held research and teaching posts at University College Dublin and Sciences Po. She completed her PhD at the European University Institute in Florence in 2018, and holds an MA from Leiden University and a BA from the University of Cambridge. Matilda writes about the cultural history of war, particularly soldiers' memoirs and popular material culture, and specialises in modern European and Atlantic history. Her work has been published in History Workshop Journal, Nineteenth-Century Contexts, and Hypothèses.

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