David Rudkin: Sacred Disobedience: An Expository Study of his Drama 1959-1994
Author:   David Ian Rabey ,  David I. Rabey
Publisher:   Taylor & Francis Ltd
Volume:   v.24
ISBN:  

9789057021275


Pages:   228
Publication Date:   29 January 1998
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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David Rudkin: Sacred Disobedience: An Expository Study of his Drama 1959-1994


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Author:   David Ian Rabey ,  David I. Rabey
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Volume:   v.24
Dimensions:   Width: 17.40cm , Height: 1.20cm , Length: 24.60cm
Weight:   0.420kg
ISBN:  

9789057021275


ISBN 10:   9057021277
Pages:   228
Publication Date:   29 January 1998
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction to the Series1. Introduction: To Blazing Point 2. Locate, Separate, Eliminate 3. Mind-Forged Manacles and Demonic Release 4. Stolen Future, Discarded Self 5. A Sense of Place 6. Stolen Flames 7. Burning Questions 8. Artemis Rising 9. Sublime Monstrosity 10. Transforming Transgressions 11. Work in Progress 12. Indefinition of a ManAppendix: TestimoniesIan Hogg, Charlotte Cornwall, Lynda Murtagh, Peter McEnery, Gerard Murphy, Ian McDiarmidDavid Rudkin: A ChronologyNotesIndex

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Author Information

David Rudkin is a leading British dramatist, author of Afore Night Come, Cries from Casement as his Bones are Brought to Dublin, Ashes, Penda's Fen, The Sons of Light, The Triumph of Death, The Saxon Shore, Symphonie Pathetique, House of Character, Blodwen, and Home from Rachel's Marriage. Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, and sexual contexts.

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