David Lewin's Morgengruß: Text, Context, Commentary
Author:   David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton) ,  Richard Cohn (Battell Professor of Music Theory, Battell Professor of Music Theory, Yale University, New Haven) ,  David Lewin ,  Associate Professor of Music David Bard-Schwarz (University of North Texas, USA University of North Texas)
Publisher:   Oxford University Press Inc
ISBN:  

9780199844784


Pages:   224
Publication Date:   08 October 2015
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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David Lewin's Morgengruß: Text, Context, Commentary


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Author:   David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton) ,  Richard Cohn (Battell Professor of Music Theory, Battell Professor of Music Theory, Yale University, New Haven) ,  David Lewin ,  Associate Professor of Music David Bard-Schwarz (University of North Texas, USA University of North Texas)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 2.50cm , Length: 16.00cm
Weight:   0.612kg
ISBN:  

9780199844784


ISBN 10:   019984478
Pages:   224
Publication Date:   08 October 2015
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Acknowledgements 1) Preface 2) Introduction by Richard Cohn 3) Lewin's Morgengruß 4) ""The Madeleine and the Rusk: from Morgengruß to 'Phenomenology'"" by Brian Kane 5) ""Lewin's Listeners Listening: The Beholder's Share"" by Richard Cohn 6) ""Technology, Methodology, Theory, and Analysis in Lewin's Morgengruß"" by Henry Klumpenhouwer 7) Appendix 9) Bibliography"

Reviews

Lewin intended his essay for readers at various levels of musical ability, including well-informed amateurs, performers, music students in general, and critics. Nevertheless, the history of the essay shows that it is most appropriate for advanced music students and music theory scholars. Highly recommended. --Choice


Lewin intended his essay for readers at various levels of musical ability, including well-informed amateurs, performers, music students in general, and critics. Nevertheless, the history of the essay shows that it is most appropriate for advanced music students and music theory scholars. Highly recommended. --<em>Choice</em>


Author Information

David Bard-Schwarz is Associate Professor of Music Theory at the University of North Texas College of Music. He has written three single-authored books: Listening Subjects: Music, Psychoanalysis, Culture; Listening Awry: Music and Alterity in German Culture; and An Introduction to Electronic Art through the Teachings of Jacques Lacan: Strangest Thing. His specialties include music theory and music and cultural studies with an emphasis on semiotics and Post-Lacanian psychoanalysis. He is active in the iARTA research cluster bringing together work in music, engineering, computer science, and the arts at UNT and is editor-in-chief of MOEBIUS, a new journal publishing criticism in cultural studies and interactive media. Richard Cohn is Battell Professor of Music Theory at Yale University. He is author of Audacious Euphony: Chromaticism and the Triad's Second Nature (Oxford University Press, 2012). Two of his scholarly articles have earned the Society of Music Theory's Outstanding Publication Award. Cohn was founding editor of Oxford University Press's Studies in Music Theory, and served as Executive Editor of the Journal of Music Theory. His current research models metric states and syntaxes in classical and world-music repertories.

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