Dante's Plurilingualism: Authority, Knowledge, Subjectivity

Author:   Sara Fortuna ,  Manuele Gragnolati ,  Jurgen Trabant
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367602444


Pages:   308
Publication Date:   30 June 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Dante's Plurilingualism: Authority, Knowledge, Subjectivity


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Author:   Sara Fortuna ,  Manuele Gragnolati ,  Jurgen Trabant
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.570kg
ISBN:  

9780367602444


ISBN 10:   036760244
Pages:   308
Publication Date:   30 June 2020
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction: Dante’s Plurilingualism Part I: Theories 1. Mother Tongues in the Middle Ages and Dante 2. Millena variatio: Overcoming the Horror of Variation 3. Man as a Speaking and Political Animal: A Political Reading of Dante's De vulgari eloquentia 4. Volgare e latino nella storia di Dante 5. Le idee linguistiche di Dante e il naturalismo fiorentino-toscano del Cinquecento 6. Aristotele e Dante, filosofi della variabilità  linguistica Part II: Authority 7. The Roots of Dante's Plurilingualism: 'Hybridity' and Language in the Vita nova 8. Language as a Mirror of the Soul: Guilt and Punishment in Dante's Concept of Language 9. Plurilingualism sub specie aeternitatis and the Strategies of a Minority Author Part III: Subjectivity 10. Dante's Blind Spot (Inferno XVI-XVII) 11. Trasmutabile per tutte guise': Dante in the Comedy 12. Is Ulysses Queer? The Subject of Greek Love in Inferno XV and XXVI 13. Lost for Words: Recuperating Melancholy Subjectivity in Dante's Eden 14. (In-)Corporeality, Language, Performance in Dante's Vita Nuova and Commedia 15. Dante After Wittgenstein: 'Aspetto', Language, and Subjectivity from Convivio to Paradiso

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