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OverviewFull Product DetailsAuthor: Fabian Alfie , Nicolino ApplausoPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 16.10cm , Height: 2.10cm , Length: 22.80cm Weight: 0.549kg ISBN: 9781793621719ISBN 10: 1793621713 Pages: 230 Publication Date: 19 May 2020 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Dante Satiro - Fabian Alfie and Nicolino Applauso Part 1: Satire in Dante’s Commedia Chapter 1: The Ontoso Metro of Dante’s Sinners: Inferno 7 - Franco Suitner Chapter 2: Inverted Popes, the Apostolic Succession, and Dante’s Vocation as Satirist - Ronald L. Martinez Chapter 3: “Ed elli avea del cul fatto trombetta” (Inferno 21.139): Satire and Sodomy in Dante’s Inferno - Mary Watt Chapter 4: “Se io mi trascoloro, non ti maravigliar”: Peter’s Invective and colores rhetorici in Paradiso 27 - Maggie Fritz-Morkin Part 2: Satire in Dante’s Minor Works Chapter 5: “Ut exinde potionare possimus dolcissimum ydromellum” (DVE 1.1.1): ‘Dante Satiro’ and the De vulgari eloquentia - Anthony Nussmeier Chapter 6: Invective and Emotional Tones in Dante’s Convivio - Beatrice Arduini Chapter 7: The Conundrum of Genre: Dante’s “Doglia mi reca” - Fabian Alfie Chapter 8: Scelestissimis fiorentinis: Violence, Satire, and Prophecy in the ars dictaminis and Dante’s Political Epistles - Nicolino Applauso Coda: The American Legacy of Dante Satiro Chapter 9: Hell, Yes! Dante in Contemporary American Satire - Arielle SaiberReviewsA well-rounded study that fleshes out one of the most contemporary aspects of Dante's work: its use of satire as a means to reprehend vice and establish ethical values. Alfie and Applauso have put together an excellent volume with international reach, probing the classical, medieval, and ever-current aspects of the great poet's satirical art. From the rotten pit of Hell to the celestial heights of Paradise, Dante spares no one and pulls no punches, targeting popes and emperors in both the Divine Comedy and his other works. Dante Satiro collects captivating readings by top Dante scholars, each of whom offers a compelling analysis of satire from the Middle Ages to its resonances with today's media satirists: seven hundred years after his death, Dante is alive and well. Indeed, as one contributor to this volume reminds us, we should keep in mind Osip Mandelstam's words: It is unthinkable to read the cantos of Dante without aiming them in the direction of the present day ... They are missiles for capturing the future. --Francesco Ciabattoni, Georgetown University We all know a lot about Dante comico and his style. But on the other hand no one has ever tried to read his works as belonging to satirical genre, as if he used the poetic code as a way to struggle with the vices of his time. This is what Dante Satiro: Satire in Dante Alighieri's Comedy and Other Works is made up of for the first time, not only relating to his masterpiece (the Commedia), but also looking for a satirical tone where it's not expected, like in the linguistic treaty De vulgari eloquentia, or pointing out his influence on contemporary satire.--Marco Berisso, University of Genova A well-rounded study that fleshes out one of the most contemporary aspects of Dante's work: its use of satire as a means to reprehend vice and establish ethical values. Alfie and Applauso have put together an excellent volume with international reach, probing the classical, medieval, and ever-current aspects of the great poet's satirical art. From the rotten pit of Hell to the celestial heights of Paradise, Dante spares no one and pulls no punches, targeting popes and emperors in both the Divine Comedy and his other works. Dante Satiro collects captivating readings by top Dante scholars, each of whom offers a compelling analysis of satire from the Middle Ages to its resonances with today's media satirists: seven hundred years after his death, Dante is alive and well. Indeed, as one contributor to this volume reminds us, we should keep in mind Osip Mandelstam's words: It is unthinkable to read the cantos of Dante without aiming them in the direction of the present day ... They are missiles for capturing the future. --Francesco Ciabattoni, Georgetown University Author InformationFabian Alfie is professor of Italian at the University of Arizona. Nicolino Applauso is visiting assistant professor of Italian at Loyola University Maryland. Tab Content 6Author Website:Countries AvailableAll regions |