Dancing on the Canon: Embodiments of Value in Popular Dance

Author:   S. Dodds
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2011
ISBN:  

9781349368389


Pages:   235
Publication Date:   01 January 2011
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Dancing on the Canon: Embodiments of Value in Popular Dance


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Full Product Details

Author:   S. Dodds
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2011
Dimensions:   Width: 15.50cm , Height: 1.30cm , Length: 23.50cm
Weight:   0.454kg
ISBN:  

9781349368389


ISBN 10:   1349368385
Pages:   235
Publication Date:   01 January 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Contents List of Illustrations Acknowledgements Introduction: Let's Dance! PART I: UNDERSTANDING VALUE Dancing on the Canon The Value(s) of Cultural Studies What is Popular Dance? Writing Popular Dance Embodiments of Value PART II: DANCING VALUES 'Naughty but Nice': (Re)Articulations of Value in Neo-Burlesque Striptease Pogoing, Headbanging and Skanking: Economies of Value in Dancing Subcultures 'There's a Land That I've Dreamed About': Envisioning Value at Sunday Serenade Conclusion: The Value of Popular Dance Bibliography Index

Reviews

This is a very well-researched, thoughtful, and thoroughly argued study, which should have a significant impact on the dance studies field. Dancing on the Canon contextualizes the reasons for popular dance's traditionally low status and provides much needed discussion about the potential of popular and social dance scholarship. - Julie Malnig, Associate Professor of Theatre and Dance Performance, New York University, USA ...Dodds here contextualizes and challenges the traditionally low value accorded popular social dances within dance scholarship...Including 19 photographs, useful endnotes, and an extensive bibliography, this book will be a worthwhile resource for those interested in dance, gender and sexuality, and popular culture. Summing Up:Recommended. Graduate students, researchers, faculty, professionals. - CHOICE ...a vital and very well-written contribution to critical dance scholarship and pedagogy as well as a good starting point for dance educators and students interested in phenomena of popular dance. Stefanie C. Boulila, Research in Dance Education Dancing on the Canon's success lies in its ability to provoke conversations about the cultural implications of popular dance with dance and cultural studies scholars alike, about the myth of multiculturalism and what constitutes grotesque dancing bodies, or the perception that popular dance is devalued or neglected by academia at large Those interested in incorporating popular dance into an academic dance curriculum will find much of value here, as will individuals studying the role of aging in performance, sexuality and created communities The monograph is [also] useful to those conducting contact observation within created communities and scholars interested in best practices for blending practitioner interviews with an extensive discussion of methodology For graduate students, reading Dancing on the Canon offers assurance that changes in perspective and process accompany large-scale projects, that the difficulties that arise are a normal part of scholarly life, and that the ability to synthesize research with new theories and concepts is essential. Rachel E. Mansfield, Journal of Dramatic Theory and Criticism


"""This is a very well-researched, thoughtful, and thoroughly argued study, which should have a significant impact on the dance studies field. Dancing on the Canon contextualizes the reasons for popular dance's traditionally ""low"" status and provides much needed discussion about the potential of popular and social dance scholarship."" - Julie Malnig, Associate Professor of Theatre and Dance Performance, New York University, USA ""...Dodds here contextualizes and challenges the traditionally low value accorded popular social dances within dance scholarship...Including 19 photographs, useful endnotes, and an extensive bibliography, this book will be a worthwhile resource for those interested in dance, gender and sexuality, and popular culture. Summing Up:Recommended. Graduate students, researchers, faculty, professionals."" - CHOICE ""...a vital and very well-written contribution to critical dance scholarship and pedagogy as well as a good starting point for dance educators and students interested in phenomena of popular dance."" Stefanie C. Boulila, Research in Dance Education ""Dancing on the Canon's success lies in its ability to provoke conversations about the cultural implications of popular dance with dance and cultural studies scholars alike, about the myth of multiculturalism and what constitutes grotesque dancing bodies, or the perception that popular dance is devalued or neglected by academia at large Those interested in incorporating populardance into an academic dance curriculum will find much of value here, as will individuals studying the role of aging in performance, sexuality and created communities The monograph is [also] useful to those conducting contact observation within created communities and scholars interested in best practices for blending practitioner interviews with an extensive discussion of methodology For graduate students, reading Dancing on the Canon offers assurance that changes in perspective and process accompany large-scale projects, that the difficulties that arise are a normal part of scholarly life, and that the ability to synthesize research with new theories and concepts is essential."" Rachel E. Mansfield, Journal of Dramatic Theory and Criticism"


This is a very well-researched, thoughtful, and thoroughly argued study, which should have a significant impact on the dance studies field. Dancing on the Canon contextualizes the reasons for popular dance's traditionally low status and provides much needed discussion about the potential of popular and social dance scholarship. - Julie Malnig, Associate Professor of Theatre and Dance Performance, New York University, USA ...Dodds here contextualizes and challenges the traditionally low value accorded popular social dances within dance scholarship...Including 19 photographs, useful endnotes, and an extensive bibliography, this book will be a worthwhile resource for those interested in dance, gender and sexuality, and popular culture. Summing Up:Recommended. Graduate students, researchers, faculty, professionals. - CHOICE ...a vital and very well-written contribution to critical dance scholarship and pedagogy as well as a good starting point for dance educators and students interested in phenomena of popular dance. Stefanie C. Boulila, Research in Dance Education Dancing on the Canon's success lies in its ability to provoke conversations about the cultural implications of popular dance with dance and cultural studies scholars alike, about the myth of multiculturalism and what constitutes grotesque dancing bodies, or the perception that popular dance is devalued or neglected by academia at large Those interested in incorporating popular dance into an academic dance curriculum will find much of value here, as will individuals studying the role of aging in performance, sexuality and created communities The monograph is [also] useful to those conducting contact observation within created communities and scholars interested in best practices for blending practitioner interviews with an extensive discussion of methodology For graduate students, reading Dancing on the Canon offers assurance that changes in perspective and process accompany large-scale projects, that the difficulties that arise are a normal part of scholarly life, and that the ability to synthesize research with new theories and concepts is essential. Rachel E. Mansfield, Journal of Dramatic Theory and Criticism


Author Information

SHERRIL DODDS Head of the Department of Dance, Film and Theatre at the University of Surrey. She leads the Performances of the Popular research group and co-organizes the POP MOVES research events. She is also author of Dance on Screen: Genres and Media from Hollywood to Experimental Art.

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