Overview

Dance and the Hollywood Latina asks why every Latina star in Hollywood history, from Dolores Del Rio in the 1920s to Jennifer Lopez in the 2000s, began as a dancer or danced onscreen. While cinematic depictions of women and minorities have seemingly improved, a century of representing brown women as natural dancers has popularized the notion that Latinas are inherently passionate and promiscuous. Yet some Latina actresses became stars by embracing and manipulating these stereotypical fantasies. Introducing the concepts of """"inbetween-ness"""" and """"racial mobility"""" to further illuminate how racialized sexuality and the dancing female body operate in film, Priscilla Peña Ovalle focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez. Dance and the Hollywood Latina helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen.

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9780813548807

Table of Contents

Reviews

In this fresh examination, Priscilla PeNa Ovalle convincingly probes the racial dynamics and sexual politics that shape the paradoxical figure of the dancing Hollywood Latina. --Rosa-Linda Fregoso author of meXicana Encounters: The Making of Social Identities on the Borderland (08/24/2010) What a wonderful project! This book magnificently centerstages how dance in Hollywood constitutes a cultural space in which Latina stars turn their performance into the ultimate expression of/for agency and empowerment. Let the rhythm take you over! Go girls! --Alberto Sandoval-Sanchez Mount Holyoke College (03/01/2010) A well-researched, engaging book that expands our understanding of the shaping of the Hollywood Latina, and of Latinas in the national imaginary, through analysis of dance and embodiment in these dynamics. --Mary Beltran author of Latina/o Stars in U.S. Eyes: The Making and Meanings of Film and TV St (08/02/2010) In this fresh examination, Priscilla Pena Ovalle convincingly probes the racial dynamics and sexual politics that shape the paradoxical figure of the dancing Hollywood Latina. --Rosa-Linda Fregoso author of meXicana Encounters: The Making of Social Identities on the Borderland (08/24/2010) What a wonderful project! This book magnificently centerstages how dance in Hollywood constitutes a cultural space in which Latina stars turn their performance into the ultimate expression of/for agency and empowerment. Let the rhythm take you over! Go girls! Alberto Sandoval-Sanchez, Mount Holyoke College

What a wonderful project! This book magnificently centerstages how dance in Hollywood constitutes a cultural space in which Latina stars turn their performance into the ultimate expression of/for agency and empowerment. Let the rhythm take you over! Go girls! --Alberto Sandoval-S nchez Mount Holyoke College (03/01/2010) A well-researched, engaging book that expands our understanding of the shaping of the Hollywood Latina, and of Latinas in the national imaginary, through analysis of dance and embodiment in these dynamics. --Mary Beltr n author of Latina/o Stars in U.S. Eyes: The Making and Meanings of Film and TV St (08/02/2010) In this fresh examination, Priscilla Pe a Ovalle convincingly probes the racial dynamics and sexual politics that shape the paradoxical figure of the dancing Hollywood Latina. --Rosa-Linda Fregoso author of meXicana Encounters: The Making of Social Identities on the Borderland (08/24/2010)

In this fresh examination, Priscilla Pena Ovalle convincingly probes the racial dynamics and sexual politics that shape the paradoxical figure of the dancing Hollywood Latina. --Rosa-Linda Fregoso author of meXicana Encounters: The Making of Social Identities on the Borderland (08/24/2010)

What a wonderful project! This book magnificently centerstages how dance in Hollywood constitutes a cultural space in which Latina stars turn their performance into the ultimate expression of/for agency and empowerment. Let the rhythm take you over! Go girls! <br>Alberto Sandoval-Sanchez, Mount Holyoke College

Author Information

PRISCILLA PEÑA OVALLE is an assistant professor of film and media studies at the University of Oregon.

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