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OverviewDance and the Hollywood Latina asks why every Latina star in Hollywood history, from Dolores Del Rio in the 1920s to Jennifer Lopez in the 2000s, began as a dancer or danced onscreen. While cinematic depictions of women and minorities have seemingly improved, a century of representing brown women as natural dancers has popularized the notion that Latinas are inherently passionate and promiscuous. Yet some Latina actresses became stars by embracing and manipulating these stereotypical fantasies. Introducing the concepts of ""inbetween-ness"" and ""racial mobility"" to further illuminate how racialized sexuality and the dancing female body operate in film, Priscilla Pena Ovalle focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez. Dance and the Hollywood Latina helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen. Full Product DetailsAuthor: Priscilla Peña OvallePublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.340kg ISBN: 9780813548814ISBN 10: 0813548810 Pages: 194 Publication Date: 25 October 2010 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Acknowledgements 1 Mobilizing the Latina myth 2 Dolores Del Rio dances across the imperial color line 3 Carmen Miranda shakes it for the nation 4 Rita Hayworth and the cosmetic borders of race 5 Rita Moreno, the critically acclaimed ""all-round ethnic"" 6 Jennifer Lopez, racial mobility, and the new urban/Latina commodity Notes Works Cited Index"ReviewsWhat a wonderful project! This book magnificently centerstages how dance in Hollywood constitutes a cultural space in which Latina stars turn their performance into the ultimate expression of/for agency and empowerment. Let the rhythm take you over! Go girls! --Alberto Sandoval-S nchez Mount Holyoke College (03/01/2010) In this fresh examination, Priscilla PeNa Ovalle convincingly probes the racial dynamics and sexual politics that shape the paradoxical figure of the dancing Hollywood Latina. --Rosa-Linda Fregoso author of meXicana Encounters: The Making of Social Identities on the Borderland (08/24/2010) What a wonderful project! This book magnificently centerstages how dance in Hollywood constitutes a cultural space in which Latina stars turn their performance into the ultimate expression of/for agency and empowerment. Let the rhythm take you over! Go girls! --Alberto Sandoval-Sanchez Mount Holyoke College (03/01/2010) A well-researched, engaging book that expands our understanding of the shaping of the Hollywood Latina, and of Latinas in the national imaginary, through analysis of dance and embodiment in these dynamics. --Mary Beltran author of Latina/o Stars in U.S. Eyes: The Making and Meanings of Film and TV St (08/02/2010) In this fresh examination, Priscilla Pena Ovalle convincingly probes the racial dynamics and sexual politics that shape the paradoxical figure of the dancing Hollywood Latina. --Rosa-Linda Fregoso author of meXicana Encounters: The Making of Social Identities on the Borderland (08/24/2010) Author InformationPRISCILLA PEÑA OVALLE is an assistant professor of film and media studies at the University of Oregon. Tab Content 6Author Website:Countries AvailableAll regions |
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