|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Alexandra KolbPublisher: Verlag Peter Lang Imprint: Verlag Peter Lang Edition: New edition Dimensions: Width: 15.00cm , Height: 2.30cm , Length: 22.50cm Weight: 0.540kg ISBN: 9783039118489ISBN 10: 303911848 Pages: 360 Publication Date: 27 October 2010 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents: Alexandra Kolb: Cross-Currents of Dance and Politics: An Introduction - Roger Copeland: The Death of the Choreographer - Johann Kresnik: 'Theatre has to become political again...' Interview by Alexandra Kolb - Alexandra Kolb: Terror without End? Choreographing the Red Army Faction and Weather Underground - Marion Kant: Death and the Maiden: Mary Wigman in the Weimar Republic - Gunhild Oberzaucher-Schuller: Dramaturgy and Form of the 'German Ballet': Examination of a National Socialist Genre - Stacey Prickett: Dancing the American Dream during World War II - Naomi M. Jackson: Dance and Human Rights - Victoria Marks: About Not About Iraq - Suzanne Little: Re-Presenting the Traumatic Real: Douglas Wright's Black Milk - Ramsay Burt: Performative Intervention and Political Affect: de Keersmaeker and Sehgal - Soo Hee Lee/Tatjana E. Byrne: Politicizing Dance: Cultural Policy Discourses in the UK and Germany - Luke Purshouse: Class and Thatcherism in Billy Elliot.ReviewsAuthor InformationAlexandra Kolb is Senior Lecturer and Chair of Dance Studies at Otago University. She is the author of Performing Femininity: Dance and Literature in German Modernism (Peter Lang: 2009) and a regular contributor to international dance and arts journals. Tab Content 6Author Website:Countries AvailableAll regions |