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OverviewWhat can an art biennale in Dakar, Senegal, tell us about current discourses surrounding the place of art in the world, and in the academic study of anthropology? This volume investigates the Dak'Art biennale, ranked among the world's top 20 biennials, drawing upon fieldwork, archival research, and the experiences of those involved. In so doing, the chapters make a statement about the impact of globally-acting art biennials, contributing to current scholarship both on biennales and the anthropology of art scene more widely. Part I opens with the history of its foundation and considers it in conjunction with the rise of contemporary art in Senegal. Part II deals with the biennale's various objectives, selection strategies, exhibition spaces, platforms for debate, and discourses between the State, the secretariat and local artists and art world professionals. Part III examines the cyclical creation of contemporary African art, and questions if the Biennial creates local canonical practices. The Epilogue uses the Dak'art biennale to question assumptions around practice in general biennale scholarship and work. Featuring a dialogic structure between practitioners of art and anthropologists, this unique volume will be of interest to students of anthropology, art history and practice, African studies and curatorial practice. Full Product DetailsAuthor: Ugochukwu-Smooth Nzewi , Thomas FillitzPublisher: Taylor & Francis Ltd Imprint: Bloomsbury Academic Weight: 0.458kg ISBN: 9781350106499ISBN 10: 1350106496 Pages: 216 Publication Date: 07 August 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsIntroduction ; Part 1: Historical Perspectives; 1. The Foundation and History of the Biennale of Dakar; 2. A Politico-Economic History of Modern and Contemporary Art in Senegal: From Négritude Current to the Logics of the Open Society; 3. The 'Distancing Children' from Senghor's Openness Take a Stance; Part 2: Dak’Art—The Biennale of Contemporary African Art; 4. Selection Committees, Selection Processes and Application Procedures; 5. Encounters and Exchanges: An Intellectual History of the Biennale of Dakar; 6. Dak’Art and the Production of its Public; 7. The Biennale of Dakar and the State of Senegal; 8. Reimagining the Biennal of Dakar; Part 3: Contemporary African Art at Dak’Art; 10. The Making of a Canon: Historicizing Contemporary African Art at Dak’Art; 11. All the City is an Exhibition: The Dak’Art-Off in the Biennale and in Dakar’s Art World City; 12. Dak’Art’s Ecosystem: In and Out of Senegal; 13. EPILOGUE: Global Biennial Discourses: A Critical View from Dak’ArtReviewsAuthor InformationUgochukwu-Smooth Nzewi completed his PhD at Emory University, USA. He is a Visual Artist, Art Historian and Curator. He works at the Cleveland Museum of Art, USA.Thomas Fillitz is Professor of Cultural and Social Anthropology at the University of Vienna, Austria. He is the editor of An Anthropology of Contemporary Art (2017). Tab Content 6Author Website:Countries AvailableAll regions |
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