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9781350227651

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"""Providing new ways of combatting the current and continued onslaught of right-wing aggression, Dada Data offers the potential for a way forward through a variety of curatorial, political and social interventions."" --Cole Collins, Teaching Fellow in Modern and Contemporary Art, Edinburgh College of Art, The University of Edinburgh, UK ""Smart and focused, challenging and illuminating, Dada Data is a much-needed study, arriving at a timely moment but also promising to have long-term implications for the study of aesthetic resistance and counter-cultural practice."" --Thomas Haakenson, Associate Professor in Humanities and Sciences, California College of the Arts, USA, and author of Grotesque Visions: The Science of Berlin Dada (2021) ""Offering a spectrum of fascinating and surprising interpretations on the influence of post-truth politics on contemporary art, and bringing together a range of international researchers and curators, Dada Data is recommended for anyone who would like to gain an informed overview of these cultural crossovers."" --Jörg Trempler, Chair of Art History and Image Science, University of Passau, Germany"

Providing new ways of combatting the current and continued onslaught of right-wing aggression, Dada Data offers the potential for a way forward through a variety of curatorial, political and social interventions. * Cole Collins, Teaching Fellow in Modern and Contemporary Art, Edinburgh College of Art, The University of Edinburgh, UK * Smart and focused, challenging and illuminating, Dada Data is a much-needed study, arriving at a timely moment but also promising to have long-term implications for the study of aesthetic resistance and counter-cultural practice. * Thomas Haakenson, Associate Professor in Humanities and Sciences, California College of the Arts, USA, and author of Grotesque Visions: The Science of Berlin Dada (2021) * Offering a spectrum of fascinating and surprising interpretations on the influence of post-truth politics on contemporary art, and bringing together a range of international researchers and curators, Dada Data is recommended for anyone who would like to gain an informed overview of these cultural crossovers. * Jörg Trempler, Chair of Art History and Image Science, University of Passau, Germany *

Author Information

Sarah Hegenbart is Lecturer in Art History at Technical University Munich, Germany, and currently acting as a substitute for the professorship in art research with a focus on contemporary art at the Braunschweig University of Art. Prior to this, she worked as an Associate Lecturer at the Courtauld Institute, where she also undertook her doctoral research, and as Curator of Art at the Pembroke Art Gallery at the University of Oxford, UK. Mara-Johanna Kölmel is Associate Director of the exhibition platform peer to space Berlin, Germany. She obtained her PhD from Leuphana University Lüneburg and holds an MA in Art History from the Courtauld Institute. Mara has performed curatorial roles for Akademie Schloss Solitude, Kunsthalle Hamburg & the Biennale of Sydney.

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