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'Most of [Ros King's] valuable insights and conclusions would have been hard to come by without this first-hand professional experience. The concrete observations are astute and incisive, showing once again how much the keen theatrical eye can contribute to the full understanding of dramaturgy... the persuasiveness of this enthusiastic and cogent return to one of Shakespeare's less popular work.' English Studies 'Ros King's new study of Cymbeline offers a detailed and ambitious account of the play as both text and performance...The book encompasses not only different critical modes - historicism, close reading, cultural studies - but different genres too; it is both academic study and personal memoir. In adopting this eclectic approach, the book assumes something of the quality of the play which is its subject...King's study alerts us anew to the many layers of complexity in Shakespeare's play.' Sixteenth Century Journal '... a rigorous and informative analysis of Cymbeline, its language, themes, characters and performance contexts. This timely study explores the play through a variety of themes common to contemporary critics, yet surprisingly hitherto overlooked in relation to a play so inextricably linked to notions of empire, nation and monarchy... This inclusive and ambitious monograph therefore offers an insightful and fresh reading of Cymbeline, its historical contexts and the multiple interpretative possibilities implicit in the language and realized through performance.' The Year's Work in English Studies

'Most of [Ros King's] valuable insights and conclusions would have been hard to come by without this first-hand professional experience. The concrete observations are astute and incisive, showing once again how much the keen theatrical eye can contribute to the full understanding of dramaturgy... the persuasiveness of this enthusiastic and cogent return to one of Shakespeare's less popular work.' English Studies 'Ros King's new study of Cymbeline offers a detailed and ambitious account of the play as both text and performance...The book encompasses not only different critical modes - historicism, close reading, cultural studies - but different genres too; it is both academic study and personal memoir. In adopting this eclectic approach, the book assumes something of the quality of the play which is its subject...King's study alerts us anew to the many layers of complexity in Shakespeare's play.' Sixteenth Century Journal '... a rigorous and informative analysis of Cymbeline, its language, themes, characters and performance contexts. This timely study explores the play through a variety of themes common to contemporary critics, yet surprisingly hitherto overlooked in relation to a play so inextricably linked to notions of empire, nation and monarchy... This inclusive and ambitious monograph therefore offers an insightful and fresh reading of Cymbeline, its historical contexts and the multiple interpretative possibilities implicit in the language and realized through performance.' The Year's Work in English Studies

Author Information

Ros King is Professor of English at the University of Southampton. A textual editor as well as a musician, theatre director and dramaturg, she is the author of The Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth-century England and many articles on Shakespeare and Performance.

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