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OverviewFull Product DetailsAuthor: J. Parker-StarbuckPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.50cm , Length: 21.60cm Weight: 0.523kg ISBN: 9780230245839ISBN 10: 0230245838 Pages: 241 Publication Date: 28 April 2011 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"List of Illustrations Acknowledgements Preface: Remembering Introduction: Why Cyborg Theatre? Backspace: Historical/Theoretical Intersections Shifting the Balance: ""Abject"" Bodies ""Object"" of Control: Framing the Fragments Entering the View: Triangulating ""Subject"" Bodies Conclusion: Remembering Bodies, Becoming-Cyborg Bibliography Index"Reviews'With Cyborg Theatre, Parker-Starbuck has created a rigorous and engaging resource for scholars, practitioners, pedagogues, and students of multimedia performance... [The book provides] a valuable model of performance studies scholarship that can serve to guide future investigations of cyborg performance.' - Elise Morrison, Contemporary Theatre Review 'Cyborg Theatre is essential reading for all those interested in the complex and multiple intertwinings between bodies and technologies, in theatre and performance, and in life overall, in an environment within which technology claims increasing degrees of agency.' - Maria Chatzichristodoulou, International Journal of Performance Arts and Digital Media 'With Cyborg Theatre , Parker-Starbuck has created a rigorous and engaging resource for scholars, practitioners, pedagogues, and students of multimedia performance... [The book provides] a valuable model of performance studies scholarship that can serve to guide future investigations of cyborg performance.' - Elise Morrison, Contemporary Theatre Review 'Cyborg Theatre is essential reading for all those interested in the complex and multiple intertwinings between bodies and technologies, in theatre and performance, and in life overall, in an environment within which technology claims increasing degrees of agency.' - Maria Chatzichristodoulou, International Journal of Performance Arts and Digital Media With Cyborg Theatre, Parker-Starbuck has created a rigorous and engaging resource for scholars, practitioners, pedagogues, and students of multimedia performance... [The book provides] a valuable model of performance studies scholarship that can serve to guide future investigations of cyborg performance. - Elise Morrison, Contemporary Theatre Review Cyborg Theatre is essential reading for all those interested in the complex and multiple intertwinings between bodies and technologies, in theatre and performance, and in life overall, in an environment within which technology claims increasing degrees of agency. - Maria Chatzichristodoulou, International Journal of Performance Arts and Digital Media Author InformationJENNIFER PARKER-STARBUCK is a Reader in Drama, Theatre and Performance Studies at Roehampton University, London, UK. Her essays on bodies, animality, and multimedia have appeared in a variety of books and journals including: Theatre Journal, PAJ, Women and Performance. She is an Assistant Editor of PAJ and an Associate Editor of the International Journal of Performance Arts and Digital Media. Tab Content 6Author Website:Countries AvailableAll regions |