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9780472035205

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Reviews

There are many stellar passages in the book, but the author's tackling of the old question whether feminist scholarship is 'women's work', which is to query whether male scholars are useful or even welcome in feminist thought, stands out as a favorite. <br>--Michael M./i><br><br>--Michael M. Chemers The Journal of Theatre Research International (07/29/2011)

There are many stellar passages in the book, but the author's tackling of the old question whether feminist scholarship is 'women's work', which is to query whether male scholars are useful or even welcome in feminist thought, stands out as a favorite. --Michael M./i> --Michael M. Chemers The Journal of Theatre Research International (07/29/2011)

There are many stellar passages in the book, but the author's tackling of the old question whether feminist scholarship is 'women's work', which is to query whether male scholars are useful or even welcome in feminist thought, stands out as a favorite. --Michael M./i>--Michael M. Chemers The Journal of Theatre Research International (07/29/2011)

Author Information

James M. Harding is Professor of Theatre and Performance Studies at the University of Maryland, College Park. He is the author of Performance, Transparency and the Cultures of Surveillance; The Ghosts of the Avant- Garde(s): Exorcising Experimental Theater and Performance; and Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, among other books.

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