Overview

Uncovers a haunting yet vital record of bodies commodified, archived, and performed Currencies of Cruelty is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America. Danielle Bainbridge traces how the transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers – often denied traditional labor opportunities – became highly lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called ""original Siamese Twins,"" Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. Bainbridge introduces the concept of the ""future perfect"" archive – one that anticipates what will have been rather than merely recording the past – offering a radical new way to engage with histories of enslavement, disability, and performance. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

Full Product Details

9781479829552

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Reviews

""Speaking in the first person about the shocking reciprocity of enslavement and enfreakment, Danielle Bainbridge gives voice to a chorus of those who are all too easily misremembered. To listen to her is to hear them."" - Joseph Roach, Yale University

""Speaking in the first person about the shocking reciprocity of enslavement and enfreakment, Danielle Bainbridge gives voice to a chorus of those who are all too easily misremembered. To listen to her is to hear them.""-- ""Joseph Roach, Yale University""

Author Information

Danielle Bainbridge is Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and African American Studies. Her writing has been featured in Killens Review of Arts & Letters, Moko Magazine, and The Mechanics' Institute Review Online

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