Overview

Full Product Details

Author:   Lizzie Muller ,  Caroline Seck Langill
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367148027

ISBN 10:   0367148021
Pages:   234
Publication Date:   07 September 2021
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Figures; List of Contributors; Acknowledgements; Introduction; Part I: Troublesome Objects: 1. Decolonising archives: killing art to write its history; 2. Rendezvous with the Indigenous Art Collection: how to ‘raise a flag’; 3. Troublemakers in the museum: Robots, romance and the performance of liveliness; 4. Curating data-driven information-based art: Outlive or let die; Part II: Metabolizing Objects: 5. Digesting institutional critique; 6. Curatorial care and the lively materials of biomedical art; 7. Living and semi-living artefacts on display: The monster that therefore is a living epistemic thing; 8. Troubling (natural) history: Bonnie Devine, Mark Dion, and Musée de la Chasse et la Nature; 9. Social objects, art, and agriculture; Part III: Energetic Objects: 10. Mineral materialities in contemporary art: Between intra-action, discursive magic and grief; 11. Objects, energies and curating resonance across disciplines; 12. Feminist new materialism, religion and perception; 13. Digital-physical-emotional immersion in country: Bearing witness to the Appin massacre; Index.

Reviews

Author Information

Lizzie Muller is a curator and researcher specialising in audience experience, reflective-curatorial practice and changing disciplinary formations in museums. She is Associate Professor at UNSW, Sydney. Caroline Seck Langill is a writer and curator who researches intersections between art and science, and the related fields of media art history. She is Professor at OCAD University, Toronto, Ontario.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions