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OverviewIllustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just ‘keepers’ of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum’s role as a space of learning for its visitors. Curating as a practice now describes the production of a number of cultural and creative outputs, ranging from exhibitions to art festivals; shopping environments to health centres; conferences to film programming as well as museums and galleries. Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Interviews with leading practitioners from international design and arts museums provide a spotlight on contemporary challenges and best practice in design curatorship. Full Product DetailsAuthor: Donna Loveday (Kingston University, UK)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Visual Arts Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.40cm Weight: 0.454kg ISBN: 9781350162761ISBN 10: 1350162760 Pages: 264 Publication Date: 08 September 2022 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsList of Illustrations List of Contributors Acknowledgements Introduction Part One: Displaying Designed Objects in Museum and Exhibition Contexts, 1800s-2000 1.1 Cabinets of Curiosities and the Formation of the Public Museum 1.2 International Exhibitions 1.3 The Decorative Arts Museum and the Modern Art Museum 1.4 The Emergence of the Design Museum 1.5 A Rising Public Interest in Design 1.6 The Growing Popularity of Design Exhibitions 1.7 New Programmes to Train Curators Part Two: The Curatorial Turn, 1980-2020 2.1 A Changing Political Landscape for Museums 2.2 The Educational Turn: The Museum as an Ideal Learning Environment 2.3 Producing New Curatorial Formats: The Public Programme Curator 2.4 The Experiential Turn in Museums 2.5 Designing Exhibitions as Narrative Space 2.6 Curating Narrative and Experiential Exhibitions Part Three: Interviews with Eight International Design Curators 3.1 The Reflective Practitioner 3.2 The Interviews Corina Gardner (Victoria and Albert Museum, UK) Andrea Lipps (Cooper Hewitt, Smithsonian Design Museum, USA) Riya Patel (The Aram Gallery, UK) Sumitra Upham (Crafts Council, UK) Renata Becerril (Abierto Mexicano de Diseno, Mexico) Fleur Watson (Centre for Architecture Victoria, Australia) Wilhelm Finger and Melita Skamnaki (Double Decker, UK) 3.10 Curating the Design Programme Closing Comments Bibliography IndexReviewsThis is an essential document contextualizing the vital role the design curator plays in demystifying design and creating new audiences for contemporary design exhibitions. By covering the birth and development of curating as a profession, from the original private collections of strange and wonderful objects to contemporary seminal design shows, from the old cabinet of curiosities of the wealthy to current debates on artefact appropriation, it authoritatively sets the landscape for informed discussion. As the design profession expands to almost every sphere so does the curation of design. This book investigates the new frontiers of design and by doing so it validates design in each new frontier. Curating Design isn't only valuable to design curation educators and practitioners but to anyone keen to understand and cater for the new appetite of contemporary audiences for exhibitions exploring the ever-expanding borders of design approaches to complex current topics. -- Fabiane Lee-Perrella, Founder of Flour Studio, UK Like the gifted curator she is, Donna Loveday gives this comprehensive survey of the fast emerging field of design curating a context of history and theory, while effectively highlighting individual stories. As both a practitioner and teacher, nobody is better placed than Loveday to unpick the intricate relationships between designers, curators and museums. -- Deyan Sudjic, Director Emeritus of the Design Museum, UK and Professor of Architecture and Design Studies at Lancaster University, UK Like the gifted curator she is, Donna Loveday gives this comprehensive survey of the fast emerging field of design curating a context of history and theory, while effectively highlighting individual stories. As both a practitioner and teacher, nobody is better placed than Loveday to unpick the intricate relationships between designers, curators and museums. -- Deyan Sudjic, Director Emeritus of the Design Museum, UK and Professor of Architecture and Design Studies at Lancaster University, UK As many museums and galleries expand their remit to include designed objects, new questions have arisen for the practitioners involved. When did the practice begin? What are the main issues that it brings with it? Who are the leaders in the field? Curating Design, the first book to address this exciting new field, sets out to interrogate many of the questions that arise and to provide design curation with both an intellectual and a practical framework. -- Penny Sparke, Professor of Design History, Kingston University, UK This is a timely volume. It provides a thorough account of the development of design curation in the context of the histories of modernity and it presents critically rich commentaries from leading contemporary global practitioners about the making of design exhibitions. In acknowledging the distinct demands that mark and attend curating what is defined as 'design', this volume represents a valuable contribution to what is a growing field of practice and scholarly inquiry. -- Michael J. Prokopow, Associate Dean, OCAD University, Canada This is an essential document contextualizing the vital role the design curator plays in demystifying design and creating new audiences for contemporary design exhibitions. By covering the birth and development of curating as a profession, from the original private collections of strange and wonderful objects to contemporary seminal design shows, from the old cabinet of curiosities of the wealthy to current debates on artefact appropriation, it authoritatively sets the landscape for informed discussion. As the design profession expands to almost every sphere so does the curation of design. This book investigates the new frontiers of design and by doing so it validates design in each new frontier. Curating Design isn't only valuable to design curation educators and practitioners but to anyone keen to understand and cater for the new appetite of contemporary audiences for exhibitions exploring the ever-expanding borders of design approaches to complex current topics. -- Fabiane Lee-Perrella, Founder of Flour Studio, UK Author InformationDonna Loveday is an independent curator, writer and educator, and Course Leader of the MA Curating Contemporary Design at Kingston University, UK, in partnership with the Design Museum London, UK. She was formerly Head of Curatorial at the Design Museum and has over twenty years' experience of curating headline exhibitions and creative programmes. Tab Content 6Author Website:Countries AvailableAll regions |
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