Overview

This book examines how in navigating Hong Kong’s colonial history alongside its ever-present Chinese identity, the city has come to manifest a conflicting socio-cultural plurality.  Drawing together scholars, critics, commentators, and creators on the vanguard of the emerging field of Hong Kong Studies, the essay volume presents a gyroscopic perspective that discerns what is made in from what is made into Hong Kong while weaving a patchwork of the territory’s contested local imaginary. This collection celebrates as it critiques the current state of Hong Kong society on the 20th anniversary of its handover to China. The gyroscopic outlook of the volume makes it a true area studies book-length treatment of Hong Kong, and a key and interdisciplinary read for students and scholars wishing to explore the territory’s complexities.

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9789811339967

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Jason S. Polley is Associate Professor of literary journalism, postmodernism, and poststructuralism at Hong Kong Baptist University. His research interests include post-WWII graphic forms, media analysis, Hong Kong Studies, and Anglo-Indian fiction. His creative nonfiction books are Refrain (2010) and Cemetery Miss You (2011). His monograph is Jane Smiley, Jonathan Franzen, Don DeLillo: Narratives of Everyday Justice (2011). Vinton W.K. Poon is a Lecturer at the Master of Arts Programme at Hong Kong Baptist University. He teaches and researches discourse, history of linguistics, as well as language and politics. Lian-Hee Wee is Professor of linguistics at Hong Kong Baptist University and has co-authored/edited six volumes and numerous book chapters and articles, largely on phonology. His phonetic-learning APP (AV Phonetics) has been downloaded more than 10,000 times by students and faculty of linguistics, psychology and music around the world.

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