Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature

Awards:   Winner of William Sanders Scarborough Prize 2018 (United States)
Author:   Sonya Posmentier (Assistant Professor, New York University)
Publisher:   Johns Hopkins University Press
ISBN:  

9781421422657


Pages:   304
Publication Date:   25 August 2017
Format:   Hardback
Availability:   Out of stock   Availability explained
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Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature


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Awards

  • Winner of William Sanders Scarborough Prize 2018 (United States)

Overview

Full Product Details

Author:   Sonya Posmentier (Assistant Professor, New York University)
Publisher:   Johns Hopkins University Press
Imprint:   Johns Hopkins University Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.522kg
ISBN:  

9781421422657


ISBN 10:   1421422654
Pages:   304
Publication Date:   25 August 2017
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Acknowledgments Introduction PART 1 1. Cultivating the New Negro 2. Cultivating the Nation 3. Cultivating the Caribbean PART 2 4. Continuing Catastrophe Collecting Catastrophe 5. Collecting Culture 6. Unnatural Catastrophe Notes Bibliography Index

Reviews

The black optimism that animates Posmentier's writing is also a prominent feature of the poems, songs, and works of visual art that she takes up as her primary objects of concern. Yet there is also, alongside this optimism, the ever-present specter of the end of the world—one that operates, always, right alongside the countless new worlds that black art necessarily engenders—which demands our attention. —Syndicate Sonya Posmentier's Cultivation and Catastrophe feels urgent and contemporary even as its turn to black lyric asks readers to pause, sound out, and reflect on a long history of poetic engagement with ecological catastrophe, forced migration, and the afterlife of the plantation. —Britt Rusert, University of Massachusetts Amherst, Syndicate There is much to admire in this wide-ranging and carefully researched study. In particular, its close attention to poetic form represents a valuable contribution to postcolonial ecocriticism, which has tended to focus more on narrative genres. —Review of English Studies Posmentier's monograph is a much-needed contribution to both the new lyric studies and ecopoetics, two fields that, until recently, have focused more often than not on the writings and methods of white European and American poets and critics. —Contemporary Literature The capaciousness with which Posmentier approaches the lyric is generative, especially in light of environmental criticism's recent wave of poetry scholarship . . . groundbreaking. —Interdisciplinary Studies in Literature and Environment


The capaciousness with which Posmentier approaches the lyric is generative, especially in light of environmental criticism's recent wave of poetry scholarship . . . groundbreaking. * Interdisciplinary Studies in Literature and Environment * Posmentier's monograph is a much-needed contribution to both the new lyric studies and ecopoetics, two fields that, until recently, have focused more often than not on the writings and methods of white European and American poets and critics. * Contemporary Literature * There is much to admire in this wide-ranging and carefully researched study. In particular, its close attention to poetic form represents a valuable contribution to postcolonial ecocriticism, which has tended to focus more on narrative genres. * Review of English Studies * Sonya Posmentier's Cultivation and Catastrophe feels urgent and contemporary even as its turn to black lyric asks readers to pause, sound out, and reflect on a long history of poetic engagement with ecological catastrophe, forced migration, and the afterlife of the plantation. -- Britt Rusert, University of Massachusetts Amherst * Syndicate * The black optimism that animates Posmentier's writing is also a prominent feature of the poems, songs, and works of visual art that she takes up as her primary objects of concern. Yet there is also, alongside this optimism, the ever-present specter of the end of the world-one that operates, always, right alongside the countless new worlds that black art necessarily engenders-which demands our attention. * Syndicate *


There is much to admire in this wide-ranging and carefully researched study. In particular, its close attention to poetic form represents a valuable contribution to postcolonial ecocriticism, which has tended to focus more on narrative genres. * Review of English Studies *


Author Information

Sonya Posmentier is an assistant professor of English at New York University.

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