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OverviewFull Product DetailsAuthor: D. PoeyPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.30cm , Length: 21.60cm Weight: 3.452kg ISBN: 9781137382818ISBN 10: 1137382813 Pages: 177 Publication Date: 23 October 2014 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. From the Streets to the Nightclub: Rita Montaner and Celeste Mendoza as Salsa Precursors 2. Celia Cruz: From La guarachera de Cuba to the Queen of Salsa 3. La Lupe: The Excessive Performance of Race and Gender 4. Crossing Over: Gloria Estefan's Performance of the/on the Hyphen 5. No se parece a nada/ Not Like Anything Else: Albita Rodríguez Bends the Rules ConclusionReviewsTaking a cultural studies approach, Poey examines a variety of materials: movies, recordings and accounts of live performances, song lyrics, and videos. Throughout she is interested in how performers challenge and inflect racial and gender norms. I especially liked the discussion of the way Mendoza substituted the audience for the male partner in a guaguanco, the critique of Estefan's carefully crafted career and persona, and the insightful reading in the last chapter of Albita's album covers and music videos. A great deal has been written about salsa music in the last several decades, but I don't know of a monograph like this one, which addresses exclusively the contribution of women performers. - Gustavo Perez Firmat, Columbia University, USA ""Taking a cultural studies approach, Poey examines a variety of materials: movies, recordings and accounts of live performances, song lyrics, and videos. Throughout she is interested in how performers challenge and inflect racial and gender norms. I especially liked the discussion of the way Mendoza substituted the audience for the male partner in a guaguancó, the critique of Estefan's carefully crafted career and persona, and the insightful reading in the last chapter of Albita's album covers and music videos. A great deal has been written about salsa music in the last several decades, but I don't know of a monograph like this one, which addresses exclusively the contribution of women performers."" - Gustavo Pérez Firmat, Columbia University, USA """Taking a cultural studies approach, Poey examines a variety of materials: movies, recordings and accounts of live performances, song lyrics, and videos. Throughout she is interested in how performers challenge and inflect racial and gender norms. I especially liked the discussion of the way Mendoza substituted the audience for the male partner in a guaguancó, the critique of Estefan's carefully crafted career and persona, and the insightful reading in the last chapter of Albita's album covers and music videos. A great deal has been written about salsa music in the last several decades, but I don't know of a monograph like this one, which addresses exclusively the contribution of women performers."" - Gustavo Pérez Firmat, Columbia University, USA" Author InformationDelia Poey is Associate Professor of Spanish at Florida State University, USA. Tab Content 6Author Website:Countries AvailableAll regions |