Overview

This book examines the ways in which Cuba's revolutions of 1933 and 1959 became touchstones for border-crossing endeavors of radical politics and cultural experimentation over the mid-twentieth century. It argues that new networks of solidarity building between US and Cuban allies also brought with them perils and pitfalls that could not be separated from the longer history of US empire in Cuba. As US and Cuban subjects struggled together towards common aspirations of racial and gender equality, fairer distribution of wealth, and anti-imperialism, they created a unique index of cultural work that widens our understanding of the transition between hemispheric modernism and postmodernism. Canvassing poetry, music, journalism, photographs, and other cultural expressions around themes of revolution, this book seeks new understanding of how race, gender, and nationhood could shift in meaning and materialization when traveling across the Florida Straits.

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9781107083080

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Reviews

'This is a wonderfully bold sweep through the history of US-Cuban cultural, literary, and political relations from the early 1930s to the 1960s, emphasizing lengthy transnational commitments to radicalism, revolution, and solidarity. Its interdisciplinary approach and innovative use of popular culture, music, poetry, and politics internationalizes US history in novel ways that will make the book obligatory reading for students of American studies and Latin American history.' Barry Carr, La Trobe University, Victoria 'This book not only covers a considerable amount of ground - across several decades and different cultural genres, as well as different social and even ideological issues - but does so with a commendable degree of subtlety. That latter attribute is something always to be welcomed in writing on Cuba, a field too often bedeviled by easy generalizations, misleading preconceptions, and distorting assumptions. Here, however, the author has handled the material very intelligently and subtly, and in a remarkably balanced and objective way, showing an unusual degree of sensitivity to both 'sides' of the essential relationship being discussed and also - again something unusual in work on Cuba - showing a welcome willingness to use Cuban sources and take them at face value and not filtered through a priori assumptions.' Antoni Kapcia, University of Nottingham 'This is an excellent example of what transnational history should be. The book is written in a style that makes it accessible to experts and non-experts alike. John A. Gronbeck-Tedesco is very successful in weaving Cuba's complex history with that of the United States, and his use of sources, both primary and secondary, is truly impressive, especially given the challenge of working with both Cuban and US sources. Gronbeck-Tedesco deserves credit for making a significant new contribution to Cuban and US history, transnational scholarship, and Latin American and Caribbean studies.' Robert Whitney, University of New Brunswick

This is a wonderfully bold sweep through the history of US-Cuban cultural, literary, and political relations from the early 1930s to the 1960s, emphasizing lengthy transnational commitments to radicalism, revolution, and solidarity. Its interdisciplinary approach and innovative use of popular culture, music, poetry, and politics internationalizes US history in novel ways that will make the book obligatory reading for students of American studies and Latin American history. Barry Carr, La Trobe University, Victoria This book not only covers a considerable amount of ground - across several decades and different cultural genres, as well as different social and even ideological issues - but does so with a commendable degree of subtlety. That latter attribute is something always to be welcomed in writing on Cuba, a field too often bedeviled by easy generalizations, misleading preconceptions, and distorting assumptions. Here, however, the author has handled the material very intelligently and subtly, and in a remarkably balanced and objective way, showing an unusual degree of sensitivity to both 'sides' of the essential relationship being discussed and also - again something unusual in work on Cuba - showing a welcome willingness to use Cuban sources and take them at face value and not filtered through a priori assumptions. Antoni Kapcia, University of Nottingham This is an excellent example of what transnational history should be. The book is written in a style that makes it accessible to experts and non-experts alike. John A. Gronbeck-Tedesco is very successful in weaving Cuba's complex history with that of the United States, and his use of sources, both primary and secondary, is truly impressive, especially given the challenge of working with both Cuban and US sources. Gronbeck-Tedesco deserves credit for making a significant new contribution to Cuban and US history, transnational scholarship, and Latin American and Caribbean studies. Robert Whitney, University of New Brunswick

'This is a wonderfully bold sweep through the history of US-Cuban cultural, literary, and political relations from the early 1930s to the 1960s, emphasizing lengthy transnational commitments to radicalism, revolution, and solidarity. Its interdisciplinary approach and innovative use of popular culture, music, poetry, and politics internationalizes US history in novel ways that will make the book obligatory reading for students of American studies and Latin American history.' Barry Carr, La Trobe University, Victoria 'This book not only covers a considerable amount of ground - across several decades and different cultural genres, as well as different social and even ideological issues - but does so with a commendable degree of subtlety. That latter attribute is something always to be welcomed in writing on Cuba, a field too often bedeviled by easy generalizations, misleading preconceptions, and distorting assumptions. Here, however, the author has handled the material very intelligently and subtly, and in a remarkably balanced and objective way, showing an unusual degree of sensitivity to both 'sides' of the essential relationship being discussed and also - again something unusual in work on Cuba - showing a welcome willingness to use Cuban sources and take them at face value and not filtered through a priori assumptions.' Antoni Kapcia, University of Nottingham 'This is an excellent example of what transnational history should be. The book is written in a style that makes it accessible to experts and non-experts alike. John A. Gronbeck-Tedesco is very successful in weaving Cuba's complex history with that of the United States, and his use of sources, both primary and secondary, is truly impressive, especially given the challenge of working with both Cuban and US sources. Gronbeck-Tedesco deserves credit for making a significant new contribution to Cuban and US history, transnational scholarship, and Latin American and Caribbean studies.' Robert Whitney, University of New Brunswick 'Through a wide array of cultural expressions, ranging from photography, poetry, travel books, and music, Gronbeck-Tedesco is able to illustrate his argument in a clear and powerful way. More importantly, he is also able to bring some of those elements to contemporary times, with the examination of Wycleaf Jean's Guantanamera. This is an important book to read to better comprehend how the Cuban Revolution of 1959 came about and what it meant, but also how it shaped the culture of the island and of the 'left' beyond the traditional discourse of 'socialism/communism vs capitalism' that marked the Cold War.' Santiago Baruh, Washington Report on the Hemisphere

Author Information

John A. Gronbeck-Tedesco is Assistant Professor and Convener of American Studies at Ramapo College of New Jersey.

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