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OverviewIn a unique analysis of Cuban literature inside and outside the country's borders, Eduardo Gonzalez looks closely at the work of three important contemporary Cuban authors: Guillermo Cabrera Infante (1929-2005), who left Cuba for good in 1965 and established himself in London; Antonio Benitez-Rojo (1931-2005), who settled in the United States; and Leonardo Padura Fuentes (b. 1955), who still lives and writes in Cuba. Through the positive experiences of exile and wandering that appear in their work, these three writers exhibit what Gonzalez calls ""Romantic authorship,"" a deep connection to the Romantic spirit of irony and complex sublimity crafted in literature by Lord Byron, Thomas De Quincey, and Samuel Taylor Coleridge. In Gonzalez's view, a writer becomes a belated Romantic by dint of exile adopted creatively with comic or tragic irony. Gonzalez weaves into his analysis related cinematic elements of myth, folktale, and the grotesque that appear in the work of filmmakers such as Alfred Hitchcock and Pedro Almodovar. Placing the three Cuban writers in conversation with artists and thinkers from British and American literature, anthropology, philosophy, psychoanalysis, and cinema, Gonzalez ultimately provides a space in which Cuba and its literature, inside and outside its borders, are deprovincialized. Full Product DetailsAuthor: Eduardo GonzálezPublisher: The University of North Carolina Press Imprint: The University of North Carolina Press Edition: New edition Dimensions: Width: 15.60cm , Height: 2.20cm , Length: 23.50cm Weight: 0.689kg ISBN: 9780807830154ISBN 10: 0807830151 Pages: 264 Publication Date: 10 April 2006 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Out of Print Availability: Awaiting stock ![]() Table of ContentsReviews"""A major work of scholarship and reflection by a uniquely talented critic in his prime. Employing an eclectic approach that blends myth criticism and psychoanalysis, Gonzalez, at his best, is nothing short of dazzling."" - Gustavo Perez Firmat, Columbia University""" A major work of scholarship and reflection by a uniquely talented critic in his prime. Employing an eclectic approach that blends myth criticism and psychoanalysis, Gonzalez, at his best, is nothing short of dazzling. - Gustavo Perez Firmat, Columbia University Author InformationEDUARDO GONZALEZ teaches literature and cinema at The Johns Hopkins University. He is author of three other books, including The Monstered Self: Narratives of Death and Performance in Latin American Fiction. Tab Content 6Author Website:Countries AvailableAll regions |