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OverviewMedia representations of law and order are matters of keen public interest and have been the subject of intense debate amongst those with an interest in the media, crime and criminal justice. Despite being an increasingly high profile subject few publications address this subject head on. This book aims to meet this need by bringing together an important range of papers from leading researchers in the field, addressing issues of fictional, factual and hybrid representations in the media -the so called 'docu-dramas' and 'faction'. Full Product DetailsAuthor: Paul Mason (Cardiff University, Cardiff, United Kingdom)Publisher: Taylor & Francis Ltd Imprint: Willan Publishing Dimensions: Width: 15.60cm , Height: 2.20cm , Length: 23.40cm Weight: 0.520kg ISBN: 9781843920137ISBN 10: 1843920131 Pages: 320 Publication Date: 01 September 2003 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: visions of crime and justice Part One: Criminal Visions in Context 1. From law and order to lynch mobs: crime news since the Second World War 2. Video violence: how far can you go? 3. 'Signal crimes': detective work, mass media and constructing collective memory Part Two: Criminal Representations - Crimes and Criminals 4. Masculinity, morality and action: Michael Mann and the heist movie 5. Sex crime and the media: press representations in Northern Ireland 6. Organized crime: Mafia myths in film and television 7. Political violence, Irish Republicanism and the British media: semantics, symbiosis and the state 8. Mass media/mass murder: serial killer cinema and the modern violated body Part Three: Criminal Decisions - Agencies and Agents 9. Photo stories and family albums: imaging criminals and victims on Crimewatch UK 10. Media representations of visual surveillance 11. Completing the 'half-formed picture'? Media images of policing 12. Film lawyers: above and beyond the law 13. British justice: not suitable for public viewing? 14. The screen machine: cinematic representations of prisonReviewsAuthor InformationPaul Mason is a Lecturer in the School of Journalism, Media and Cultural Studies at Cardiff University, UK. He has written extensively in the field of crime and media, and is the editor of Criminal Visions: media representations of crime and justice (2003) and co-author (with Frank Leishman) of Policing and the Media: facts, fictions and factions (2003), both published by Willan Publishing. He is Editor of the Journal of Crime, Conflict and Media Culture. Tab Content 6Author Website:Countries AvailableAll regions |