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OverviewFull Product DetailsAuthor: Laikwan PangPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.50cm , Height: 2.00cm , Length: 23.10cm Weight: 0.435kg ISBN: 9780822350828ISBN 10: 0822350823 Pages: 312 Publication Date: 11 January 2012 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments vii Introduction 1 Part I. Understanding Creativity 1. Creativity as a Problem of Modernity 29 2. Creativity as a Product of Labor 47 3. Creativity as a Construct of Rights 67 Part II. China's Creative Industries and IPR Offenses 4. Cultural Policy, Intellectual Property Rights, and Cultural Tourism 89 5. Cinema as a Creative Industry 113 6. Branding the Creative City with Fine Arts 133 7. Animation and Transcultural Signification 161 8. A Semiotics of the Counterfeit Product 183 9. Imitation or Appropriation Arts? 203 Notes 231 Bibliography 261 Index 289ReviewsMaking strategic use of the antagonistic role often played by China in the new global economy, Laikwan Pang raises fundamental questions about the hegemonic discourse of creativity as anchored in EuroAmerican traditions of rights, authorship, private property ownership, and reproduction. An admirably ambitious--and creative--book! --Rey Chow, author of Sentimental Fabulations, Contemporary Chinese Films Author InformationLaikwan Pang is Professor of Cultural Studies and Religious Studies at the Chinese University of Hong Kong. She is the author of The Distorting Mirror: Visual Modernity in China and Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema. Tab Content 6Author Website:Countries AvailableAll regions |