Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great War

Author:   Kimberly Francis ,  Margot Irvine
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032387352


Pages:   264
Publication Date:   12 October 2023
Format:   Hardback
Availability:   In Print   Availability explained
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Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great War


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Full Product Details

Author:   Kimberly Francis ,  Margot Irvine
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 1.60cm , Length: 22.90cm
Weight:   0.489kg
ISBN:  

9781032387352


ISBN 10:   1032387351
Pages:   264
Publication Date:   12 October 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Part 1. Survivors 1. Madame Stichel: A Trailblazing Ballet Choreographer Before and After the War 2. Nadia Boulanger and Louise Cruppi: Triumphs and Tragedy in the Shadow of the First World War 3. Marie Laurencin: Transformed by war - from Apollinaire and His Friends to the Ballets Russes Part 2. Propagandists 4.Lalla Vandervelde: A Patriotic Belgian Heroine's ""Journey out of War"" 5. Lena Ashwell: Advocate, Leader, and Theatre Manager 6. Emma Calvé: A Diva’s campagne de propagande Part 3. Witnesses 7. Claire Croiza: Post-war Muse/Performing Mourning 8. Mabel Gardner: Shaped by War, Les Ateliers d'art sacré 9. Clara Longworth de Chambrun: Writing about War Part 4. Pioneers 10. Germaine Dulac, Lotte Reiniger and Esfir Shub: How Well-Bred Girls Turned Film into Women’s Business 11. Anne Dike and Anne Morgan: Recreating France through Public Cinema Afterword

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Author Information

Kimberly Francis is Professor of Music and Director of Interdisciplinary Programs at the University of Guelph. She works on French modernist women composers and is the author of Nadia Boulanger and the Stravinskys (2018); and Nadia Boulanger: Thoughts on Music (with Jeanice Brooks, 2020). Margot Irvine is an Associate Professor of French and European Studies at the University of Guelph. She researches women writers’ relationships to literary and cultural institutions at the turn of the 20th century.

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