Creative Presence: Settler Colonialism, Indigenous Self-Determination and Decolonial Contemporary Artwork

Author:   Emily Merson, Course Leader for Political Science, York University Canada
Publisher:   Rowman & Littlefield International
ISBN:  

9781785523205


Pages:   230
Publication Date:   15 October 2020
Format:   Hardback
Availability:   In Print   Availability explained
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Creative Presence: Settler Colonialism, Indigenous Self-Determination and Decolonial Contemporary Artwork


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Author:   Emily Merson, Course Leader for Political Science, York University Canada
Publisher:   Rowman & Littlefield International
Imprint:   Rowman & Littlefield International
Dimensions:   Width: 16.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.494kg
ISBN:  

9781785523205


ISBN 10:   1785523201
Pages:   230
Publication Date:   15 October 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

"Creative Presence centres contemporary Indigenous arts in relation to ongoing global struggles for justice. Emily Merson's careful reading of decolonial and transnational art works by two of Canada's best-known Indigenous artists, Rebecca Belmore and Brian Jungen, lays a groundwork for a transformative and fresh aesthetic method that situates decolonizing Indigenous arts within world politics. For International Relations scholars and others seeking interpretive methods beyond established but universalizing western aesthetic frames, Merson expertly channels an embodiment of practices of Indigenous sovereignty to disrupt settler colonial imaginary. Emily Merson's Creative Presence is itself a much needed ""creative presence"" for a discipline that is only recently waking up to the important political interventions of the visual arts. Conceptually acute, wide ranging in focus, and compellingly argued, her investigation discloses a world of creative work that will lastingly unsettle the one that IR scholars have been inhabiting. Taking artwork to be a powerful force in (un)making world politics, Emily Merson's Creative Presence is a major contribution to our understanding not only of sites and practices of decolonial resistance but also of International Relations and where else we ought to look in theorizing relations between political communities. This important book reveals how failing to inquire beyond disciplinary convention sustains our implication in colonial violence."


Taking artwork to be a powerful force in (un)making world politics, Emily Merson's Creative Presence is a major contribution to our understanding not only of sites and practices of decolonial resistance but also of International Relations and where else we ought to look in theorizing relations between political communities. This important book reveals how failing to inquire beyond disciplinary convention sustains our implication in colonial violence.--J. Marshall Beier, McMaster University


Author Information

Emily Merson is an Assistant Professor in the Department of Politics and International Studies at the University of Regina.

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