Overview

FINALIST,FOREWORD 2025INDIES BOOK OF THE YEAR, ADULT FICTION (SHORT STORIES) Four generations of an extended mixed-race family live with the problems we've all heard about, yet thrive amidst hardship, turning the myth of the Old West on its head. Prize-winning story writer Sallie Bingham's latest group of tales reverse commonly held assumptions about the American West. The Hispanic, Native, and white members of this rough and tumble family pivot around an outrageously funny and fallible rodeo rider known as Cowboy. They live with alcohol and drug addiction, dependency on a fraying welfare system, poverty, violence, and deep-held loyalties. Unlikely learning and unlikely sources of wisdom abound. ""During those long winter nights when Dad took off for Sheridan-no liquor allowed on the rez but Sheridan is only about twenty miles west,"" Fat Annie tells the boy known as Sure Enough some truths about women that will guide him for the rest of his life. Running away on horseback from the imposition of ashes at his Jesuit boarding school, eleven-year-old Jimmy James finds ""this little lady priest"" in the town park. She makes the cross with ashes on his horse's head, then turns to him, and he feels the cross ""burn into him worse than any brand."" A bizarre accident in ""How Daddy Lost His Ear"" results in an equally bizarre wedding. And one of the many ""white ladies"" who appear briefly and disappear fast finally gets Cowboy to tell the truth. These men, women, and kids don't just endure. They thrive in their own peculiar style, turning seemingly tragic outcomes into sources of madcap humor, and nourishing indelible family ties. This is the West as it was and is, a complex web of traditions and surprising, even shocking, ways of finding triumph.

Full Product Details

9781885983220

Table of Contents

Reviews

PRAISE FOR HOW DADDY LOST HIS EAR “Sallie Bingham's new collection of linked stories both creates and records a gathering of people with no community. They're an accidental household of generations, driven by their mix of Native American and ""Other."" Loss is the condition of their lives. Mothers are fathers' girlfriends who disappear. Adolescent rebellion is punished by exile to the Jesuit boarding school. ""Ashes"" tells of one boy's effort to discover the grave where his forebear, a unwanted child, was found frozen to death in an unheated dormitory. Bingham brings us the gift of lives, visible and invisible, the mystery of belief in ancient tribal gods and un-Christian love. The sacred and profane are easy riders in this unforgettable book.” —Benita Eisler, author of The Red Man’s Bones: George Catlin, Artist and Showman PRAISE FOR SALLIE BINGHAM “Bingham’s work [is] sharp and deliciously unsettling, ripe for discovery by a new generation of readers.” —Publishers Weekly, starred review “The stories couldn’t be more engaging . . . [they] distill the mysterious glow that lives emanate as they recede into the past, and confirm Bingham’s place in the front rank of practitioners of this elusive genre.” —The New Yorker “A gem of story-telling: oblique, finely drawn, keenly intelligent. —The Boston Globe

PRAISE FOR SALLIE BINGHAM  “Bingham’s work [is] sharp and deliciously unsettling, ripe for discovery by a new generation of readers.” —Publishers Weekly, starred review “The stories couldn’t be more engaging . . . [they] distill the mysterious glow that lives emanate as they recede into the past, and confirm Bingham’s place in the front rank of practitioners of this elusive genre.” —The New Yorker “A gem of story-telling: oblique, finely drawn, keenly intelligent. —The Boston Globe

PRAISE FOR HOW DADDY LOST HIS EAR “Sallie Bingham's new collection of linked stories both creates and records a gathering of people with no community. They're an accidental household of generations, driven by their mix of Native American and ""Other."" Loss is the condition of their lives. Mothers are fathers' girlfriends who disappear. Adolescent rebellion is punished by exile to the Jesuit boarding school. ""Ashes"" tells of one boy's effort to discover the grave where his forebear, a unwanted child, was found frozen to death in an unheated dormitory. Bingham brings us the gift of lives, visible and invisible, the mystery of belief in ancient tribal gods and un-Christian love. The sacred and profane are easy riders in this unforgettable book.” —Benita Eisler, author of The Red Man’s Bones: George Catlin, Artist and Showman PRAISE FOR SALLIE BINGHAM “Bingham’s work [is] sharp and deliciously unsettling, ripe for discovery by a new generation of readers.” —Publishers Weekly, starred review “The stories couldn’t be more engaging . . . [they] distill the mysterious glow that lives emanate as they recede into the past, and confirm Bingham’s place in the front rank of practitioners of this elusive genre.”  —The New Yorker “A gem of story-telling: oblique, finely drawn, keenly intelligent.  —The Boston Globe

Author Information

Sallie Bingham (1937-2025) was the author of seventeen books, including Taken by the Shawnee, Little Brother: A Memoir, Treason: A Sallie Bingham Reader, Silver Swan: In Search of Doris Duke, and Passion and Prejudice: A Family Memoir. She is winner of the 2023 Thomas Wolfe Fiction Prize, Foreword Magazine's Gold Medal in Fiction for Mending: New & Selected Short Stories, and her work has been included in Best American Short Stories and The PEN/O. Henry Prize Stories. She has received fellowships from Yaddo, MacDowell, and the Virginia Center for the Creative Arts. Bingham is founder of the Kentucky Foundation for Women and The Sallie Bingham Center for Women's History at Duke University. She was publisher of The American Voice from 1989 to 1998 and book editor at The Courier Journal from 1983 to 1989. She lived in Santa Fe.

Tab Content 6

Countries Available