Counterfactualism in the Fine Arts

Author:   Elke Reinhuber (Nanyang Technological University, Singapore)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367709051


Pages:   196
Publication Date:   14 October 2022
Format:   Hardback
Availability:   In Print   Availability explained
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Counterfactualism in the Fine Arts


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Author:   Elke Reinhuber (Nanyang Technological University, Singapore)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.399kg
ISBN:  

9780367709051


ISBN 10:   0367709058
Pages:   196
Publication Date:   14 October 2022
Audience:   College/higher education ,  Tertiary & Higher Education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Defying traditionally defined departmental categorisation, Elke Reinhuber connects anthropology and environmental studies with visual art, performance and immersive media. After studying at Universitat der Kunste Berlin, Chelsea College London and Accademia di Belle Arti Bologna, she completed her PhD in media art at the University of New South Wales, Sydney. She began her teaching career at the Braunschweig University of Art, moved to the German University in Cairo, and in 2014 joined the School of Art, Design and Media at Nanyang Technological University, Singapore, before becoming Associate Professor for Expanded Photography at the School of Creative Media at City University, Hong Kong. Throughout her work, Reinhuber explores the transitory spaces where nature and civilisation intermingle, at the intersection of arts and technology. Her investigations into the intertwined triad of choice, deliberation and subsequent decision-making have resulted in internationally presented award-winning artwork, short and immersive films, and a number of journal articles and presentations. Currently, she explores the utopian and dystopian potential of public architecture while continuing her research on imagery beyond our visual spectrum.

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