|
|
|||
|
||||
OverviewCounter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates. Full Product DetailsAuthor: Tamara TroddPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 15.60cm , Height: 2.20cm , Length: 23.40cm Weight: 0.705kg ISBN: 9781526190215ISBN 10: 1526190214 Pages: 280 Publication Date: 16 December 2025 Audience: College/higher education , Professional and scholarly , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available, will be POD This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released. Table of ContentsReviewsAuthor InformationTamara Trodd is Senior Lecturer in History of Art at the University of Edinburgh Tab Content 6Author Website:Countries AvailableAll regions |
||||