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At a time when apostles from all points along an ideological spectrum have denigrated art, criticism, and aesthetics, Julia Prewitt Brown has given us an elegant, persuasive, revisionary account of Oscar Wilde, a figure asnecessary to our own fin de siecle as to his own.... Placing him within the intellectual context of the German Romantics, the French Symbolistes, and his own Victorian contemporaries, Professor Brown proves herself a worthy practitioner of what Wilde labeled 'cosmopolitan criticism.'.--Willard Spiegelman, Southern Methodist University Julia Prewitt Brown's study of Wilde's philosophy of art is much the best analysis yet performed of Wilde's crucial place in the tradition that goes from Schiller and Nietzsche, Baudelaire and Ruskin, on to Pater, Wilde, and Walter Benjamin. Brown usefully distances Wilde from Pater's aesthetic empiricism and returns him to Kant's critical idealism.--Harold Bloom, Yale University At a time when apostles from all points along an ideological spectrum have denigrated art, criticism, and aesthetics, Julia Prewitt Brown has given us an elegant, persuasive, revisionary account of Oscar Wilde, a figure asnecessary to our own fin de siecle as to his own.... Placing him within the intellectual context of the German Romantics, the French Symbolistes, and his own Victorian contemporaries, Professor Brown proves herself a worthy practitioner of what Wilde labeled 'cosmopolitan criticism.'.--Willard Spiegelman, Southern Methodist University Julia Prewitt Brown's study of Wilde's philosophy of art is much the best analysis yet performed of Wilde's crucial place in the tradition that goes from Schiller and Nietzsche, Baudelaire and Ruskin, on to Pater, Wilde, and Walter Benjamin. Brown usefully distances Wilde from Pater's aesthetic empiricism and returns him to Kant's critical idealism.--Harold Bloom, Yale University

At a time when apostles from all points along an ideological spectrum have denigrated art, criticism, and aesthetics, Julia Prewitt Brown has given us an elegant, persuasive, revisionary account of Oscar Wilde, a figure asnecessary to our own fin de siecle as to his own.... Placing him within the intellectual context of the German Romantics, the French Symbolistes, and his own Victorian contemporaries, Professor Brown proves herself a worthy practitioner of what Wilde labeled 'cosmopolitan criticism.'. --Willard Spiegelman, Southern Methodist University Julia Prewitt Brown's study of Wilde's philosophy of art is much the best analysis yet performed of Wilde's crucial place in the tradition that goes from Schiller and Nietzsche, Baudelaire and Ruskin, on to Pater, Wilde, and Walter Benjamin. Brown usefully distances Wilde from Pater's aesthetic empiricism and returns him to Kant's critical idealism. --Harold Bloom, Yale University

At a time when apostles from all points along an ideological spectrum have denigrated art, criticism, and aesthetics, Julia Prewitt Brown has given us an elegant, persuasive, revisionary account of Oscar Wilde, a figure asnecessary to our own fin de siecle as to his own.... Placing him within the intellectual context of the German Romantics, the French Symbolistes, and his own Victorian contemporaries, Professor Brown proves herself a worthy practitioner of what Wilde labeled 'cosmopolitan criticism.'.--Willard Spiegelman, Southern Methodist University

At a time when apostles from all points along an ideological spectrum have denigrated art, criticism, and aesthetics, Julia Prewitt Brown has given us an elegant, persuasive, revisionary account of Oscar Wilde, a figure asnecessary to our own fin de siecle as to his own.... Placing him within the intellectual context of the German Romantics, the French Symbolistes, and his own Victorian contemporaries, Professor Brown proves herself a worthy practitioner of what Wilde labeled 'cosmopolitan criticism.'. --Willard Spiegelman, Southern Methodist University Julia Prewitt Brown's study of Wilde's philosophy of art is much the best analysis yet performed of Wilde's crucial place in the tradition that goes from Schiller and Nietzsche, Baudelaire and Ruskin, on to Pater, Wilde, and Walter Benjamin. Brown usefully distances Wilde from Pater's aesthetic empiricism and returns him to Kant's critical idealism. --Harold Bloom, Yale University

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Julia Prewitt Brown is Associate Professor of English at Boston University

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