Overview

We spend our lives moving through passages, hallways, corridors and gangways, yet they do not feature in architectural histories, monographs or guidebooks. They are overlooked, undervalued and unregarded, seen as unlovely parts of a building's infrastructure rather than 'architecture'. This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals and asylums, to the 'corridors of power', bureaucratic labyrinths, and housing estates of the twentieth century. Roger Luckhurst takes in a wide range of sources, from architectural history to fiction, film and television, to explore how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares.

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9781789140538

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Reviews

One of the great writers on Horror and Pulp trains his attention onto the history of modern architecture, reading it through one motif--the passageway and corridor, revealing the simple conduit as something alternately punitive and utopian, idealistic and functional. The results serve as a pathway through the mundane reality and extraordinary potential of the cities we live in. Your local mall will never feel the same again. --Owen Hatherley, author of Militant Modernism, The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde, and The Ministry of Nostalgia What a work of imaginative re-engineering! Luckhurst--always learned, but always witty too--journeys through architecture, philosophy, social thought, and radical history to show that corridors, as much as they have been associated with dread and numbing conformity, have also been sites of utopian dreaming, celebrated as engines of collectivity and social exchange, heralded as pathways to marvelous modernity. --Sukhdev Sandhu, author of Night Haunts: A Journey through the London Night In what must be considered the only definitive history of movement through such spaces, Luckhurst looks at passageways from their origins through the twentieth century. Using primarily architectural history, but also the eyes of fiction, film, and television, the author sees a transformation of the corridor from an early ideal of knowledge exchange to a place that can leave people at some level of uneasiness. He examines how these modes of physical movement were integral in several different building types and situations. Recommended. --Choice One of the book's strengths is Luckhurst's appreciation that architectural spaces owe their emotional impact to context as much as to form: corridors may be sites of isolation and dread--he writes vividly about them as dystopian symbols of bureaucracy--but they can also be places for communication and encounter. --Times Literary Supplement

One of the great writers on Horror and Pulp trains his attention onto the history of modern architecture, reading it through one motif--the passageway and corridor, revealing the simple conduit as something alternately punitive and utopian, idealistic and functional. The results serve as a pathway through the mundane reality and extraordinary potential of the cities we live in. Your local mall will never feel the same again. --Owen Hatherley, author of Militant Modernism, The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde, and The Ministry of Nostalgia What a work of imaginative re-engineering! Luckhurst--always learned, but always witty too--journeys through architecture, philosophy, social thought, and radical history to show that corridors, as much as they have been associated with dread and numbing conformity, have also been sites of utopian dreaming, celebrated as engines of collectivity and social exchange, heralded as pathways to marvelous modernity. --Sukhdev Sandhu, author of Night Haunts: A Journey through the London Night

Author Information

Roger Luckhurst lives in a postwar utopian social housing estate in inner London and teaches at Birkbeck, University of London, where he is professor of modern literature in the School of Arts. He is the author of Zombies, also published by Reaktion Books, and wrote the British Film Institute Classics books on Alien and The Shining.

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