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OverviewCormac McCarthy is renowned as the author of popular and acclaimed novels such as Blood Meridian, All the Pretty Horses, and The Road. Throughout his career, however, McCarthy has also invested deeply in writing for film and theater, an engagement with other forms of storytelling that is often overlooked. He is the author of five screenplays and two plays, and he has been significantly involved with three of the seven film adaptations of his work. In this book, Stacey Peebles offers the first extensive overview of this relatively unknown aspect of McCarthy's writing life, including the ways in which other artists have interpreted his work for the stage and screen. Drawing on many primary sources in McCarthy's recently opened archive, as well as interviews, Peebles covers the 1977 televised film The Gardener's Son; McCarthy's unpublished screenplays from the 1980s that became the foundation for his Border Trilogy novels and No Country for Old Men; various successful and unsuccessful productions of his two plays; and all seven film adaptations of his work, including John Hillcoat's The Road (2009) and the Coen brothers' Oscar-winning No Country for Old Men (2007). Emerging from this narrative is the central importance of tragedy-the rich and varied portrayals of violence and suffering and the human responses to them-in all of McCarthy's work, but especially his writing for theater and film. Full Product DetailsAuthor: Stacey PeeblesPublisher: University of Texas Press Imprint: University of Texas Press Dimensions: Width: 15.20cm , Height: 2.30cm , Length: 22.90cm Weight: 0.426kg ISBN: 9781477312315ISBN 10: 1477312315 Pages: 256 Publication Date: 06 June 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments Introduction. Cormac McCarthy, Center Stage Chapter 1. First Forays: Early Film Interest and The Gardener’s Son Chapter 2. The Unproduced Screenplays: “Cities of the Plain,” “Whales and Men,” and “No Country for Old Men“ Chapter 3. Works for Theater: The Stonemason and The Sunset Limited Chapter 4. Keeping the Faith: All the Pretty Horses and The Road Chapter 5. Tragic Success Stories: No Country for Old Men and The Sunset Limited Chapter 6. Great Expectations: The Counselor and Child of God Conclusion. Bears That Dance, Bears That Don’t: The Attempts to Adapt Blood Meridian Notes Bibliography IndexReviews""[A]n extensive guide...Peebles makes a convincing case that many of the failures in adaptation derive from a failure to express fully the tragic nature of McCarthy's vision."" * Times Literary Supplement * ""Peebles effectively justifies the inclusion of...screenplays, scripts, and adaptations among McCarthy's recognized body of work. This book would enrich scholarship on McCarthy's novels, adaptation studies, and tragedy in the Western and Southern Gothic traditions."" * Adaptation * ""Cormac McCarthy and Performance is an invaluable contribution to the fields of Western American literature and film studies, but it will also appeal to afficionados seeking insight into the artist himself."" * Western American Literature * Cormac McCarthy and Performance is an invaluable contribution to the fields of Western American literature and film studies, but it will also appeal to afficionados seeking insight into the artist himself. * Western American Literature * Peebles effectively justifies the inclusion of...screenplays, scripts, and adaptations among McCarthy's recognized body of work. This book would enrich scholarship on McCarthy's novels, adaptation studies, and tragedy in the Western and Southern Gothic traditions. * Adaptation * Peebles effectively justifies the inclusion of...screenplays, scripts, and adaptations among McCarthy's recognized body of work. This book would enrich scholarship on McCarthy's novels, adaptation studies, and tragedy in the Western and Southern Gothic traditions. * Adaptation * Author InformationSTACEY PEEBLES is an associate professor of English and director of film studies at Centre College. She is vice president of the Cormac McCarthy Society, editor of the Cormac McCarthy Journal, and author of Welcome to the Suck: Narrating the American Soldier’s Experience in Iraq. Tab Content 6Author Website:Countries AvailableAll regions |