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Full Product Details

Author:   Dr Liam E. Semler ,  Professor Lisa Hopkins ,  Dr Andrew Hiscock
Publisher:   Bloomsbury Publishing PLC
Imprint:   The Arden Shakespeare
Weight:   0.435kg
ISBN:  

9781350111196

ISBN 10:   1350111198
Pages:   312
Publication Date:   25 February 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Figures and Tables Series Introduction Notes on Contributors Timeline Introduction Liam E. Semler (The University of Sydney, Australia) 1. The Critical Backstory Huw Griffiths (The University of Sydney, Australia) 2. Performance History Robert Ormsby (Memorial University, Newfoundland and Labrador, Canada) 3. The State of the Art Graham Holderness (University of Hertfordshire, UK) 4. New Directions: Putting Tongues in Wounds: The Search for an Honest Body in Coriolanus Anna Kamaralli (Independent Scholar) 5. New Directions: ‘As if a man were author of himself’: Fantasies of Omnipotence and Autonomy Evelyn Gajowski (University of Nevada, Las Vegas, USA) 6. New Directions: Hegel’s Rome and Shakespeare’s Coriolanus – Grounds for Tragedy Jennifer Ann Bates (Duquesne University, USA) 7. New Directions: Coriolanus and the Datasphere Hugh Craig (University of Newcastle, Australia) 8. ‘Teach my mind’: Approaches and Resources for the Coriolanus Classroom Claire Hansen (James Cook University, Townsville, Australia) Notes Bibliography Index

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Author Information

Liam E. Semler is Professor of Early Modern Literature at the University of Sydney, Australia, and has been a visiting fellow at Corpus Christi College Cambridge and the Universities of Massachusetts, Nottingham, Warwick and Essex. He leads the Better Strangers project which hosts the Shakespeare Reloaded website. He is author of Teaching Shakespeare and Marlowe: Learning versus the System (2013) and The English Mannerist Poets and the Visual Arts (1998), and editor of The Early Modern Grotesque: English Sources and Documents 1500-1700 (2019) and Eliza’s Babes; Or The Virgin’s Offering (1652): A Critical Edition (2001).

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