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9781009198639

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Reviews

'Bonadio has done very thorough research on graffiti and street art cultures and has included interviews, opinions and comments from some of its key players. The case studies and examples are unquestionably relevant, and useful for navigating a very real obstacle that creators of public art are faced with today.' Al Diaz, author of SAMO (c)...SINCE 1978 'Enrico Bonadio is an accomplished scholar of street art, graffiti and the law. In this book he provides a comprehensive well-researched overview of copyright laws as perceived by the practitioners of these forms of art, highlighting the ramifications experienced across creative fields and the many issues facing the legal (and non-legal) protections afforded to street art and graffiti.' Jeff Gluck, Gluck Law Firm P. C., focusing on representing street artists and graffiti writers and enforcing their intellectual property rights 'Enrico Bonadio is the one who better knows and understands the world of graffiti and street art, and their intersection with copyright regimes. In this new book, he takes a step further and offers us a direct and authentic perspective of this complex and ever evolving artistic reality - and he does so through the opinions of its protagonists. Bonadio's study is essential for a better understanding of the graffiti and street art phenomenon and to steer a much-needed legal analysis.' Elena Vicente Domingo, Professor of Law at the University of Burgos, Spain

Author Information

Enrico Bonadio is Reader at City, University of London. He teaches, lectures and advises in the field of intellectual property (IP) law. He is editor of The Cambridge Handbook of Copyright in Street Art and Graffiti (2019) and Non-Conventional Copyright - Do New and Atypical Works Deserve Protection? (2018). Enrico is also a street and graffiti art aficionado.

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