Coproducing Asia: Locating Japanese–Chinese Regional Film and Media

Author:   Stephanie DeBoer ,  James Gillespie (Retired Barrister) ,  Stephanie Deboer
Publisher:   University of Minnesota Press
ISBN:  

9780816689507


Pages:   256
Publication Date:   01 March 2014
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
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Coproducing Asia: Locating Japanese–Chinese Regional Film and Media


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Overview

Based on rare archival research as well as interviews with producers, Coproducing Asiaprovides compelling frames for understanding the significance of film and mediacoproduction in East Asia. Stephanie DeBoer guides readers through a rich genealogyof regional film and media coproduction, introducing innovative methods for theirexamination across decades, locations, and scales of production in East Asia andbeyond.

Full Product Details

Author:   Stephanie DeBoer ,  James Gillespie (Retired Barrister) ,  Stephanie Deboer
Publisher:   University of Minnesota Press
Imprint:   University of Minnesota Press
Dimensions:   Width: 14.00cm , Height: 3.80cm , Length: 21.60cm
Weight:   0.363kg
ISBN:  

9780816689507


ISBN 10:   0816689504
Pages:   256
Publication Date:   01 March 2014
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Contents Introduction: Coproduction and the New East Asia 1. The Bright Asian Market Place: Regional Specters of Connection and Desire2. Collaboration Decentered: Technology Transfer and the Hong Kong Copy3. Sino–Japanese Techno-Friendship: Location, Presence, and Memory’s Displacement4. Tokyo on the Move: Omnibus Asia, Media Capital, and the Limits of the Link5. Working through China: Scale, Place, and New Asian Coproduction Conclusion. Scaling the Frame: Genealogies of Coproduction and the Asian Frontier AcknowledgmentsNotesFilmographyIndex

Reviews

East Asia functions as a single film market, in many respects, but too few scholars have the acumen to look beyond national borders and linguistic barriers to plumb the depths of this crucial area of inquiry. DeBoer is a welcome exception to the rule. --Gina Marchetti, author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema


""Coproducing Asia is a wonderful book that will have genuine and lasting significance. Stephanie DeBoer has produced a nuanced and practical account of the tensions and difficulties involved not only in the too rarely studied creative and business negotiations enabling a co-production, but also in the asymmetrical cultural investments and historical ‘hauntings’ at stake in such ventures and active in their differing sites of reception. It’s a tour de force."" -Meaghan Morris, author of Identity Anecdotes: Translation and Media Culture ""East Asia functions as a single film market, in many respects, but too few scholars have the acumen to look beyond national borders and linguistic barriers to plumb the depths of this crucial area of inquiry. DeBoer is a welcome exception to the rule."" -Gina Marchetti, author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema


East Asia functions as a single film market, in many respects, but too few scholars have the acumen to look beyond national borders and linguistic barriers to plumb the depths of this crucial area of inquiry. DeBoer is a welcome exception to the rule. -Gina Marchetti, author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema Coproducing Asia is a wonderful book that will have genuine and lasting significance. Stephanie DeBoer has produced a nuanced and practical account of the tensions and difficulties involved not only in the too rarely studied creative and business negotiations enabling a co-production, but also in the asymmetrical cultural investments and historical `hauntings' at stake in such ventures and active in their differing sites of reception. It's a tour de force. -Meaghan Morris, author of Identity Anecdotes: Translation and Media Culture


Author Information

Stephanie DeBoer is assistant professor of film and media studies in the Department of Communication and Culture at Indiana University, Bloomington.

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