Overview

New York Times drama critic Mel Gussow first met Arthur Miller in 1963 during rehearsals of After the Fall, the play inspired by Miller’s marriage to Marilyn Monroe. They then met regularly over the following forty years. Conversations with Miller records what was discussed at more than a dozen of these meetings. In the book, the author of Death of a Salesman, A View from the Bridge and The Crucible is astonishingly candid about everything from the personal to the political: his successes and disappointments in theatre, his role as an advocate of human rights, his staunch resistance to the United States Congressional witch hunts of the 1950s. He also speaks forthrightly about his relationship with Monroe. Personal, wise and often very funny, the result is a revealing self-portrait of one of the giants of twentieth-century literature, who was both a 'regular guy' and a fiercely original writer and thinker. Published to mark the centenary of Arthur Miller’s birth, this new edition of Conversations of Miller features a new Foreword by Richard Eyre, former Artistic Director of the National Theatre, and an Afterword by publisher Nick Hern, in which both reflect on their own conversations with America’s greatest playwright. 'Full of illuminating candour' — Sunday Times 'For an in-depth appreciation of Miller's playwriting gifts... this is a must-read book' — Playbill 'Illuminates every facet of Miller's personality - his dry wit, innate fairness, fearlessness when fighting for his convictions and, above all, honesty... brilliantly crafted and compiled' — Variety ""[An] enthralling book... delightful and accessible... will bring a new level of insight into those both familiar and unfamiliar with the legend's work"" — The Reviews Hub

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9781848425323

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Reviews

'Full of illuminating candour' - Sunday Times; 'For an in-depth appreciation of Miller's playwriting gifts... this is a must-read book' - Playbill; 'Illuminates every facet of Miller's personality - his dry wit, innate fairness, fearlessness when fighting for his convictions and, above all, honesty... brilliantly crafted and compiled' - Variety

Author Information

Mel Gussow (1933-2005) was a writer and drama critic who wrote for The New York Times for 35 years. His books include a four-volume series of interviews with leading playwrights, Conversations with Miller, Conversations with Pinter, Conversations with Stoppard and Conversations with (and about) Beckett. He is also the author of the biography, Edward Albee: A Singular Journey and Gambon: A Life in Acting. He was the co-editor for the Library of America's two-volume edition of the plays of Tennessee Williams. His other books include Theatre On The Edge: New Visions, New Voices, a collection of theatre reviews and essays, and Don't Say Yes Until I Finish Talking: A Biography of Darryl F. Zanuck. He also wrote numerous profiles for The New York Times Magazine and The New Yorker. As a longtime drama critic for The New York Times, Mel Gussow was the recipient of the prestigious George Jean Nathan Award for Dramatic Criticism, a Guggenheim Fellowship, a Rockefeller grant and other awards. In 2007, he was posthumously inducted into the Theatre Hall of Fame. Richard Eyre is a theatre director, writer and former Artistic Director of the National Theatre (a position he held from 1988 to 1997). He worked for ten years in regional theatre in Leicester, Edinburgh and Nottingham (where he commissioned and directed Trevor Griffiths's Comedians, which later transferred to London and Broadway), and then became producer of BBC TV's Play for Today. In London his theatre work as adapter includes his versions of Jennifer Dawson's novel The Ha Ha, Sartre's Les Mains Sales, Ibsen's Hedda Gabler and Ghosts at the Almeida Theatre and the West End. His original play, The Snail House, was staged at Hampstead Theatre in 2022. He became Artistic Director of the National Theatre in 1988, and has directed numerous productions there, including Guys and Dolls, The Beggar's Opera, Hamlet, Richard III, King Lear, Night of the Iguana, Sweet Bird of Youth, Racing Demon, Skylight, The Absence of War, Napoli Milionaria, La Grande Magia, White Chameleon, The Prince's Play, John Gabriel Borkman, The Invention of Love, The Reporter, The Observer, Welcome to Thebes and Liolà. His other theatre work includes Hamlet, Edmond, The Shawl and Kafka's Dick at the Royal Court; Amy's View, The Judas Kiss, Mary Poppins and Private Lives in the West End and on Broadway; The Crucible on Broadway; The Last Cigarette and The Pajama Game at Chichester and the West End; Vincent in Brixton, Quartermaine's Terms, Betty Blue Eyes, Stephen Ward and Mr Foote's Other Leg in the West End. His opera work includes La traviata at the Royal Opera House; Manon Lescaut at the Baden-Baden Festspielhaus; Carmen, Werther and Le nozze di Figaro at the Metropolitan Opera. His film and television work includes The Imitation Game, Comedians, Country, The Insurance Man, Tumbledown, Suddenly Last Summer, The Ploughman's Lunch, Iris, Stage Beauty, Notes on a Scandal, The Other Man, Henry IV Part I and II, The Dresser and Changing Stages, a six-part look at twentieth-century theatre which he wrote and presented. He has published several books, including National Service, a journal of his time at the National Theatre, which won the Theatre Book Prize, and What Do I Know?, a collection of essays about people, politics and the arts. He has received many awards for theatre, television and film, was knighted in 1997, and became a Fellow of the Royal Society of Literature in 2011.

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