|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Lisa LinPublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: 1st ed. 2022 Weight: 0.498kg ISBN: 9783030917555ISBN 10: 303091755 Pages: 269 Publication Date: 17 June 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsChapter 1. Introduction.- Chapter 2. Production Ecology in Chinese Television Industries.- Chapter 3. Convergent Production Strategies: CCTV and HBS.- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television.- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS.- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video.- Chapter 7. Walking a Tightrope? Producers’ Fears and Precarity in China.- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television.- Chapter 9. Playing Edge Ball in the Grey Area.- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in Convergent Chinese Television.ReviewsAuthor InformationDr Lisa Lin is a documentary producer and media scholar in the UK, Singapore and China. Her documentary credits include I Wouldn’t Go in There WW2 Specials (National Geographic, 2015), G-Force (Hummingbird Music, 2016), Last Breath (One World Media, 2017) and Frontline Medics Dairies (Channel 4, 2020). Dr. Lin is a Research Fellow in Documentary Practice at Anglia Ruskin University. She holds a PhD in Media and Communications and MA in International Broadcasting from Royal Holloway, University of London. Tab Content 6Author Website:Countries AvailableAll regions |