Continuity and Crisis in German Cinema, 1928-1936

Author:   Barbara Hales (Royalty Account) ,  Mihaela Petrescu (Royalty Account) ,  Valerie Weinstein (Customer) ,  Professor Anjeana K. Hans (Contributor)
Publisher:   Boydell & Brewer Ltd
ISBN:  

9781571139351


Pages:   344
Publication Date:   20 October 2016
Format:   Hardback
Availability:   In Print   Availability explained
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Continuity and Crisis in German Cinema, 1928-1936


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Author:   Barbara Hales (Royalty Account) ,  Mihaela Petrescu (Royalty Account) ,  Valerie Weinstein (Customer) ,  Professor Anjeana K. Hans (Contributor)
Publisher:   Boydell & Brewer Ltd
Imprint:   Camden House Inc
Dimensions:   Width: 15.20cm , Height: 3.10cm , Length: 22.90cm
Weight:   0.650kg
ISBN:  

9781571139351


ISBN 10:   1571139354
Pages:   344
Publication Date:   20 October 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"List of Illustrations Acknowledgments Introduction ""Timid Heresies"": Werner Hochbaum's Razzia in St. Pauli (1932) - Christian Rogowski Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator - Bastian Heinsohn ""A Fairytale for Grown-ups"": Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931) - Paul Flaig ""Denn Gold ist Glück und Fluch dieser Welt"": Examining the Trope of ""Gold"" in Gold (1934) and Der Kaiser von Kalifornien (1936) - Owen Lyons Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany - Barbara Hales ""White Jews"" and Dark Continents: Capitalist Critique and Its Racial Undercurrents in Detlef Sierck's April! April! (1935) - Valerie Weinstein The Zigeunerdrama Reloaded: Leni Riefenstahl's Fantasy Gypsies and Sacrificial Others - Anjeana Hans Regaining Mobility: The Aviator in Weimar Mountain Films - Wilfried Wilms Brigitte Helm and Germany's Star System in the 1920s and 1930s - Mihaela Petrescu Foreign Attractions: Czech Stars and Ethnic Masquerade - Kevin B. Johnson Objects in Motion: Hans Richter's Vormittagsspuk (1928) and the Crisis of Avant-Garde Film - Brook Henkel Seeing Crisis in Harry Piel's Ein Unsichtbarer geht durch die Stadt (1933) - Kalani Michell Playing the European Market: Marcel L'Herbier's L'Argent (1928), Ufa, and German-French Film Relations - Margrit Frölich A Serious Man? Ernst Lubitsch's Anti-War Film The Man I Killed (a.k.a. Broken Lullaby, USA 1932) - Richard W. McCormick Selected Bibliography Notes on the Contributors Index"

Reviews

[S]ubstantial and innovative . . . . [O]ffers a fresh and interesting approach to two film-making periods that have intrigued academics for decades. The volume exposes countless surprising links between Weimar and Nazi culture and society that cause us fundamentally to rethink our understanding of the period covered. MODERN LANGUAGE REVIEW


Author Information

Anjeana K. Hans is Associate Professor of German Studies at Wellesley College.

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