Continental Films: French Cinema Under German Control

Author:   Christine Leteux ,  Bertrand Taverneir
Publisher:   University of Wisconsin Press
ISBN:  

9780299339807


Pages:   264
Publication Date:   30 November 2022
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Continental Films: French Cinema Under German Control


Overview

From 1940 to 1944, the German-owned Continental Films dominated the French film landscape, producing thirty features throughout the Nazi occupation. Charged with producing entertaining and profitable films rather than propaganda, producer Alfred Greven employed some of the greatest French actors and most prestigious directors of the time, including Maurice Tourneur, Henri Decoin, Henri-Georges Clouzot, and Marcel CarnÉ. Using recently opened archival documents, including reams of testimony from the Épuration (purification) hearings conducted shortly after the war, Christine Leteux has produced the most authoritative and complete history of the company and its impact on the French film industry—both during the war and after. She captures the wide range of responses to the firm from those who were eager to work for a company whose ideology matched their own, to others who reluctantly accepted contracts out of necessity, to those who abhorred the company but felt compelled to participate in order to protect family members from Nazi reprisals. She examines not only the formation and management of Continental Films but also the personalities involved, the fraught and often deadly political circumstances of the period, the critical reception of the films, and many of the more notorious and controversial events. As Bertrand Tavernier explains in his foreword, Leteux overturns many of the preconceptions and clichÉs that have come to be associated with Continental Films. Published to rave reviews in French and translated by the author into English, this work shatters expectations and will reinvigorate study of a lesser-known but significant period of French film history.

Full Product Details

Author:   Christine Leteux ,  Bertrand Taverneir
Publisher:   University of Wisconsin Press
Imprint:   University of Wisconsin Press
Dimensions:   Width: 15.30cm , Height: 2.00cm , Length: 23.10cm
Weight:   0.239kg
ISBN:  

9780299339807


ISBN 10:   0299339807
Pages:   264
Publication Date:   30 November 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Preface Prologue Chapter 1: Paris, Autumn 1940 Chapter 2: Alfred Greven Chapter 3: The beginnings of a society Chapter 4: Early productions Chapter 5: Decoin and Greven Chapter 6: Henri-Georges Clouzot, scriptwriter Chapter 7: Les Inconnus dans la maison (The Strangers in the House) Chapter 8: Greven’s empire Chapter 9: Leaving Continental Chapter 10: The Russians of Billancourt Chapter 11: A Trip to Berlin Chapter 12: The Harry Baur affair Chapter 13: Filming in the afternoon Chapter 14: New directors Chapter 15: The Caprices affair Chapter 16: Richard Pottier Chapter 17: Maurice Tourneur Chapter 18: La Main du diable (Carnival of Sinners) Chapter 19: Maneuvers in a neutral zone Chapter 20: Documentaries Chapter 21: Le Corbeau (The Raven) Chapter 22: Les AnnÉes difficiles (Difficult Years) Chapter 23: La Vie de plaisir (Life of Pleasure) Chapter 24: Endgame Chapter 25: Purge Chapter 26: Greven’s last years Filmography Bibliography

Reviews

[A] penetrating monograph. . . . Leteux writes with a trial lawyer's precision, packing copious research into just over 200 pages. . . . Leteux has produced a detailed picture of an industry under duress that never bogs down in unnecessary details. --Shepherd Express Praise for the French edition: Soon to become a classic among film books. . . . A real page turner. --La Septieme Obsession A striking 400-page 'feature film' as precise as the mechanics of a vintage Simplex projector. 'I've been waiting for such a book for years, ' exclaims Bertrand Tavernier in the foreword. He is not the only one. --Le Canard Enchaine Provides a fascinating panorama, embodied, unexpected, confused, and illuminating. --Le Figaro


Praise for the French edition: Soon to become a classic among film books. . . . A real page turner. --La Septieme Obsession A striking 400-page 'feature film' as precise as the mechanics of a vintage Simplex projector. 'I've been waiting for such a book for years, ' exclaims Bertrand Tavernier in the foreword. He is not the only one. --Le Canard Enchaine Provides a fascinating panorama, embodied, unexpected, confused, and illuminating. --Le Figaro


Author Information

Christine Leteux is the author of the biographies Albert Capellani: Cinéaste du romanesque (self-translated into English as Albert Capellani: Pioneer of the Silent Screen) and Maurice Tourneur: Réalisateur sans frontières. She is the translator of several books by British film historian and filmmaker Kevin Brownlow and the winner of the Raymond Chirat Prize, awarded by the Lumière Institute in Lyon.

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