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OverviewFull Product DetailsAuthor: Ann Davies (Chair of Spanish, University of Stirling)Publisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.453kg ISBN: 9781474402996ISBN 10: 1474402992 Pages: 208 Publication Date: 18 October 2016 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements1: Introduction2: Heritage Gothic: Goya Biopics3: The Gothic Bestseller: the Circulation of Excess4: The Gothic House: Problematising the National Space5: The Gothic Camera: Javier Aguirresarobe at Home and in Hollywood6: Gothic Medicine: Written on the Body7: ConclusionFilmographyBibliographyIndexReviewsWhether it be considering Goya biopics, the import of the mad science tradition or the transnational appeal of the haunted house narrative, Contemporary Spanish Gothic remains lucid and persuasive throughout. Davies's path-opening and commanding book constitutes an inspiring first questioning of the national specificity of the contemporary Gothic in Spain. -- Dr Xavier Aldana Reyes, Manchester Metropolitan University This monograph covers some key areas of Gothic Studies relevant to Spanish cultural production, offering valuable close readings of the individual texts selected, but more importantly, it makes a powerful case for the conclusion, shared wholeheartedly by the present reviewer, that Spanish culture 'functions as a Gothic nexus', a meeting-point of the culturally specific and the transnational, creating 'complex patterns' that we should take as an invitation 'to step outside rigid disciplinary boundaries and explore the lines that cut across our own'. -- Abigail Lee Six, Royal Holloway, University of London, Bulletin of Spanish Studies Whether it be considering Goya biopics, the import of the mad science tradition or the transnational appeal of the haunted house narrative, Contemporary Spanish Gothic remains lucid and persuasive throughout. Davies's path-opening and commanding book constitutes an inspiring first questioning of the national specificity of the contemporary Gothic in Spain. -- Dr Xavier Aldana Reyes, Manchester Metropolitan University This monograph covers some key areas of Gothic Studies relevant to Spanish cultural production, offering valuable close readings of the individual texts selected, but more importantly, it makes a powerful case for the conclusion, shared wholeheartedly by the present reviewer, that Spanish culture 'functions as a Gothic nexus', a meeting-point of the culturally specific and the transnational, creating 'complex patterns' that we should take as an invitation 'to step outside rigid disciplinary boundaries and explore the lines that cut across our own'.--Abigail Lee Six, Royal Holloway, University of London ""Bulletin of Spanish Studies"" Whether it be considering Goya biopics, the import of the mad science tradition or the transnational appeal of the haunted house narrative, Contemporary Spanish Gothic remains lucid and persuasive throughout. Davies's path-opening and commanding book constitutes an inspiring first questioning of the national specificity of the contemporary Gothic in Spain.'--Dr Xavier Aldana Reyes, Senior Lecturer in English Literature and Film, Manchester Metropolitan University Whether it be considering Goya biopics, the import of the mad science tradition or the transnational appeal of the haunted house narrative, Contemporary Spanish Gothic remains lucid and persuasive throughout. Davies's path-opening and commanding book constitutes an inspiring first questioning of the national specificity of the contemporary Gothic in Spain. -- Dr Xavier Aldana Reyes, Manchester Metropolitan University This monograph covers some key areas of Gothic Studies relevant to Spanish cultural production, offering valuable close readings of the individual texts selected, but more importantly, it makes a powerful case for the conclusion, shared wholeheartedly by the present reviewer, that Spanish culture 'functions as a Gothic nexus', a meeting-point of the culturally specific and the transnational, creating 'complex patterns' that we should take as an invitation 'to step outside rigid disciplinary boundaries and explore the lines that cut across our own'. -- Abigail Lee Six, Royal Holloway, University of London, Bulletin of Spanish Studies Author InformationProfessor Ann Davies is Chair of Spanish at the University of Stirling. She has written various articles on contemporary Spanish cinema, and the work of Guillermo del Toro. Tab Content 6Author Website:Countries AvailableAll regions |
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