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OverviewFull Product DetailsAuthor: Patrice Pavis (University of Kent, UK) , Joel Anderson (Central School of Speech and Drama, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.870kg ISBN: 9780415553438ISBN 10: 0415553431 Pages: 384 Publication Date: 29 October 2012 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1 Where did mise en scène come from? 2 On the frontiers of mise en scène 3 The difference between mise en scène and performance 4 Tendencies in French scenography 5 The mise en jeu of contemporary texts 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña 7 Theatre in another culture: a Korean example 8 Media on the stage 9 The deconstruction of postmodern mise en scène 10 Physical theatre and the dramaturgy of the actor 11 The splendour and the misery of interpreting the classics 12 Staging calamity: mise en scène and performance at Avignon 2005 13 Conclusions: Where is mise en scène going?Reviews'The topic of this book formed the basis of a series of ten lectures given by Pavis at the University of Kent in 2005 whilst he was in residence as Leverhulme Visiting Professor. The lectures were insightful, comprehensive, entertaining and remarkably witty: words which well describe this extremely important book...Pavis has a truly remarkable ability to simultaneously describe, analyze and evaluate performance practice - at once the naive audience member and the supreme analytical and critical theoretician...As this persistent and tireless lexicographer deconstructs, anatomizes and rebuilds various understandings and possibilities of mise en scene, the truly awe-inspiring range and breadth of the book is revealed. The possibilities of mise en scene emerge as the social, cultural and artistic energy behind making theatre and performance; in effect the phrase takes on the qualities of an active verb - 'to theatre'. This analysis is undertaken with tremendous energy, enthusiasm and optimism, but also with a gentle humility that is constantly aware of the fundamental ephemerality and transience of theory.' Christopher Baugh, Studies in Theatre and Performance Author InformationPatrice Pavis is Professor of Theatre Studies at the University of Kent. He was formerly Professor of Theatre Studies at Paris VIII University. His Dictionary of the Theatre has been published in 30 different languages. Tab Content 6Author Website:Countries AvailableAll regions |