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OverviewFull Product DetailsAuthor: Lucy CollinsPublisher: Liverpool University Press Imprint: Liverpool University Press Volume: 66 Dimensions: Width: 16.30cm , Height: 2.00cm , Length: 23.90cm Weight: 0.522kg ISBN: 9781781381878ISBN 10: 1781381879 Pages: 224 Publication Date: 14 September 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments Abbreviations Introduction: Memory, Estrangement and the Poetic Text PART 1: CONCEPTS 1. Lost Lands: The Creation of Memory in the Poetry of Eavan Boland 2. Here and Elsewhere: Migrant Identities and the Contemporary Woman Poet 3. Private Memory and the Construction of Subjectivity in Contemporary Irish Women’s Poetry PART 2: ACHIEVEMENTS 4. Eiléan Ní Chuilleanáin’s Spaces of Memory 5. Medbh McGuckian’s Radical Temporalities 6. Catherine Walsh: A Poetics of Flux 7. Vona Groarke: Memory and Materiality Conclusion: Memories of the Future Bibliography General Index Index of WorksReviewsThere is a great deal to admire in this volume. Collins has a thorough knowledge of each of her poets' work, and each chapter aims to deal with nearly the complete oeuvre of the writer at hand. The prose style is clear and concise. There are a wide range of critics and theorists mentioned throughout the text, and a number of topics are brought up in relation to the poetry. And Collins has a knack for choosing the right passage or poem to bring into play. The analysis is judiciously balanced and always insightful; the reader's attention is consistently rewarded by what is found within these covers. There is a great deal to admire in this volume. Collins has a thorough knowledge of each of her poets' work, and each chapter aims to deal with nearly the complete oeuvre of the writer at hand. The prose style is clear and concise. There are a wide range of critics and theorists mentioned throughout the text, and a number of topics are brought up in relation to the poetry. And Collins has a knack for choosing the right passage or poem to bring into play. -- Professor Eric Falci The analysis is judiciously balanced and always insightful; the reader's attention is consistently rewarded by what is found within these covers. -- Dr Shane Alcobia-Murphy There is a great deal to admire in this volume. Collins has a thorough knowledge of each of her poets' work, and each chapter aims to deal with nearly the complete oeuvre of the writer at hand. The prose style is clear and concise. There are a wide range of critics and theorists mentioned throughout the text, and a number of topics are brought up in relation to the poetry. And Collins has a knack for choosing the right passage or poem to bring into play. -- Eric Falci The analysis is judiciously balanced and always insightful; the reader's attention is consistently rewarded by what is found within these covers. Author InformationLucy Collins is Lecturer at University College Dublin and the editor of 'Poetry by Women in Ireland: A Critical Anthology 1870–1970' (Liverpool University Press, 2012). Tab Content 6Author Website:Countries AvailableAll regions |