Contemporary Irish Women Poets: Memory and Estrangement

Author:   Lucy Collins
Publisher:   Liverpool University Press
Volume:   66
ISBN:  

9781781381878


Pages:   224
Publication Date:   14 September 2015
Format:   Hardback
Availability:   In Print   Availability explained
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Contemporary Irish Women Poets: Memory and Estrangement


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Author:   Lucy Collins
Publisher:   Liverpool University Press
Imprint:   Liverpool University Press
Volume:   66
Dimensions:   Width: 16.30cm , Height: 2.00cm , Length: 23.90cm
Weight:   0.522kg
ISBN:  

9781781381878


ISBN 10:   1781381879
Pages:   224
Publication Date:   14 September 2015
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Abbreviations Introduction: Memory, Estrangement and the Poetic Text PART 1: CONCEPTS 1. Lost Lands: The Creation of Memory in the Poetry of Eavan Boland 2. Here and Elsewhere: Migrant Identities and the Contemporary Woman Poet 3. Private Memory and the Construction of Subjectivity in Contemporary Irish Women’s Poetry PART 2: ACHIEVEMENTS 4. Eiléan Ní Chuilleanáin’s Spaces of Memory 5. Medbh McGuckian’s Radical Temporalities 6. Catherine Walsh: A Poetics of Flux 7. Vona Groarke: Memory and Materiality Conclusion: Memories of the Future Bibliography General Index Index of Works

Reviews

There is a great deal to admire in this volume. Collins has a thorough knowledge of each of her poets' work, and each chapter aims to deal with nearly the complete oeuvre of the writer at hand. The prose style is clear and concise. There are a wide range of critics and theorists mentioned throughout the text, and a number of topics are brought up in relation to the poetry. And Collins has a knack for choosing the right passage or poem to bring into play. The analysis is judiciously balanced and always insightful; the reader's attention is consistently rewarded by what is found within these covers.


There is a great deal to admire in this volume. Collins has a thorough knowledge of each of her poets' work, and each chapter aims to deal with nearly the complete oeuvre of the writer at hand. The prose style is clear and concise. There are a wide range of critics and theorists mentioned throughout the text, and a number of topics are brought up in relation to the poetry. And Collins has a knack for choosing the right passage or poem to bring into play. -- Professor Eric Falci The analysis is judiciously balanced and always insightful; the reader's attention is consistently rewarded by what is found within these covers. -- Dr Shane Alcobia-Murphy


There is a great deal to admire in this volume. Collins has a thorough knowledge of each of her poets' work, and each chapter aims to deal with nearly the complete oeuvre of the writer at hand. The prose style is clear and concise. There are a wide range of critics and theorists mentioned throughout the text, and a number of topics are brought up in relation to the poetry. And Collins has a knack for choosing the right passage or poem to bring into play. -- Eric Falci The analysis is judiciously balanced and always insightful; the reader's attention is consistently rewarded by what is found within these covers.


Author Information

Lucy Collins is Lecturer at University College Dublin and the editor of 'Poetry by Women in Ireland: A Critical Anthology 1870–1970' (Liverpool University Press, 2012).

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