Overview

Full Product Details

Author:   Antony Easthope
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138167148

ISBN 10:   1138167142
Pages:   228
Publication Date:   23 February 2017
Audience:   College/higher education ,  College/higher education ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"General Editors' Preface. Acknowledgements. Part 1 Introduction Classic film theory; semiotics; politics and ideology; politics and subjectivity; politics and gender Part 2 Vision and phantasy Fetishism, Sigmund Freud; the mirror stage, Jacques Lacan. Ideology and subjectivity: cinema, ideology, criticism, Louis Comolli and Jean Narboni; realism and the cinema - notes on some Brechtian theses, Colin MacCabe; class and allegory in contemporary mass culture - ""Dog Day Afternoon"" as a political film, Fredric Jameson. Part 3 Gender and the gaze Visual pleasure and narrative cinema, Laura Mulvey; afterthoughts on ""Visual Pleasure and Narrative Cinema""; double indemnity, Claire Johnston; from ""Fantasia"", Liz Cowie; from ""The Desire to Desire"", Mary Ann Doane; from ""Casablanca"" to ""Pretty Woman"" - the politics of romance, Rob Lapsley and MichaelWestlake."

Reviews

Author Information

Easthope, Antony

Tab Content 6

Author Website:  

Countries Available

All regions