Contemporary British Theatre: Breaking New Ground

Author:   V. Angelaki
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2013
ISBN:  

9781349436286


Pages:   192
Publication Date:   06 September 2013
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Contemporary British Theatre: Breaking New Ground


Overview

This edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.

Full Product Details

Author:   V. Angelaki
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2013
Dimensions:   Width: 14.00cm , Height: 1.20cm , Length: 21.60cm
Weight:   2.921kg
ISBN:  

9781349436286


ISBN 10:   1349436283
Pages:   192
Publication Date:   06 September 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

Vicky Angelaki's collection Contemporary British Theatre: Breaking New Ground is a fascinating and enlightening read ... . Thought-provoking and timely, the whole volume is strongly concerned with questions of ethics and witnessing, and with the relationship between the theatre and its audience. ... Ultimately, this whole collection explores the dialogue between the theatre and the audience, and it covers new ground, shared between stage and spectators. (Julia Boll, Journal of Contemporary Drama in English, Vol. 3 (2), 2015)


“Vicky Angelaki’s collection Contemporary British Theatre: Breaking New Ground is a fascinating and enlightening read … . Thought-provoking and timely, the whole volume is strongly concerned with questions of ethics and witnessing, and with the relationship between the theatre and its audience. … Ultimately, this whole collection explores the dialogue between the theatre and the audience, and it covers new ground, shared between stage and spectators.” (Julia Boll, Journal of Contemporary Drama in English, Vol. 3 (2), 2015)


Author Information

Vicky Angelaki, University of Birmingham, UK Mireia Aragay, University of Barcelona, Spain Marissia Fragkou, University of Birmingham, UK Lynette Goddard, Royal Holloway College, University of London, UK Chris Megson, Royal Holloway College, University of London, UK Enric Monforte, University of Barcelona, Spain Dan Rebellato, Royal Holloway College, University of London, UK Elizabeth Sakellaridou, Aristotle University, Greece Liz Tomlin, University of Birmingham, UK

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