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9780192806468

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`'neat introduction....a readable, concise and often witty account....this is a welcome-if partisan-reading of contemporary art and the role of the artist at a time of profound change'' Emmanuel Cooper, Tribune `'Stallabrass is as ever refreshingly free of bien-pensant nostrums'' Morgan Falconer, Burlington Magazine

"`'neat introduction....a readable, concise and often witty account....this is a welcome-if partisan-reading of ""contemporary art"" and the role of the artist at a time of profound change'' Emmanuel Cooper, Tribune `'Stallabrass is as ever refreshingly free of bien-pensant nostrums'' Morgan Falconer, Burlington Magazine"

'by far the most strident and polemic entry I've yet come across in Oxford's excellent series of very short introductions ' Laurence Phelan, Independent on Sunda

Author Information

Julian Stallabrass is Reader in Art History at the Courtauld Institute of Art in London. Previously he was Paul Mellon Center Fellow at the Tate Gallery, assistant editor of the New Left Review, and tutor in Contemporary Art at the Ruskin School of Fine Art and Drawing, University of Oxford. Publications include Paris Pictured (Royal Academy of Arts, 2002), the highly controversial High Art Lite (Verso, 1999), and Internet Art: The Online Clash of Culture and Commerce (Tate Gallery Publishing, 2003). He also writes for the Evening Standard, the New Statesman, and Prospect, and has appeared on Radio 3's Nightwaves programme.

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